Alfred Brunet-Debaines, “The Banks of the Seine near Rouen”, c. 1876

Alfred Brunet-Debaines (also known as Alfred Louis Brunet-Debaines) (1845–1939)

“The Banks of the Seine near Rouen” (or “Les Bords de la Seine à Rouen [Cours-la-Reine]”), published in 1876

Technical Details & Condition:

Etching with plate tone on laid paper, signed in the plate at lower right corner. The etching was published in Paris in the art journal “The Portfolio” in May 1876, on page 72.

The impression is notably strong, crisply detailed with no sign of wear to the printing plate. The sheet is in excellent condition, free of tears, holes, abrasions, or significant stains.

Dimensions:

• Sheet: 24.9 x 33.2 cm
• Platemark (soft): 16.8 x 22.9 cm
• Image borderline: 14.7 x 21.3 cm

Plate lettering:

• Lower right corner: “A. Brunet-Dubaines”

References:

• Beraldi 15 (Henri Beraldi, Les Graveurs du Dix-Neuvième Siècle: BRASCASSAT– CHÉRET, 1886, vol. IV, Paris, Librairie L. Conquet, p. 23, cat. no. 15)
• British Museum: https://www.britishmuseum.org/collection/object/P_1878-0511-211

Price & Shipping:

AU$197 (approximately US$131.70/ €113.50 / £98.45), including worldwide express shipping. Please note that import duties and taxes are the buyer’s responsibility.

If you are interested in acquiring this exceptionally fine etching, which depicts a tranquil stretch of the River Seine—a public park and promenade known as La Seine - Bras du Cours la Reine (The Seine - Branch of the Cours la Reine)—please contact me at oz_jim@printsandprinciples.com. I am happy to provide a secure PayPal invoice for a seamless purchase.

This print has been sold

Workshop of Hendrik Goltzius, “Jupiter and the Other Gods Asking Helios to Resume Control of the Chariot”, 1590

Workshop of Hendrik Goltzius (aka Hendrick Goltzius) (1558–1617) and following Goltzius’ design and executed under Goltzius’ direction. Notably, among the distinguished pupils in Goltzius’ workshop were Jacob Matham, Jan Saenredam, Jan Muller, Jacob de Gheyn II, and Pieter de Jode.

“Jupiter and the Other Gods Asking Helios to Resume Control of the Chariot” (TIB title), 1590

Technical Details & Condition:

Engraving on fine laid paper with a small margin around the platemark and backed with a support sheet providing wide margins. It is a rare lifetime impression of plate 5 (numbered on the lower left) from the first state (of two), prior to the addition of the number “25” on the lower right. This print belongs to the series of fifty-two plates (of an originally planned 300), titled “Metamorphoses from Ovid”, first published in Haarlem in 1589 by Hendrik Goltzius and Claes Jansz. Visscher (1587–1652), and later by Hendrik Bosch (fl. 1717–1729) in Amsterdam within “Metamorphoses Book II”. This plate is inscribed in the plate with Latin verses by Franco Estius (fl. 1580s–1594) beneath the borderline.

The impression is strong, crisply detailed with no sign of wear to the printing plate. The sheet shows age-toning with small fractures, tears and abraded areas in the margin, though the image area remains nearly flawless free of holes, folds or significant stains.

Dimensions:

• Sheet: 19.4 x 26.7 cm
• Platemark: 18 x 25.8 cm
• Image borderline: 16.6 x 25.3 cm

Plate lettering below the image borderline

• Left: “5”
• Centre (in two columns of two lines): “Ut Phäethonteos compescuit ignibus ignes/ Tela trisulca vibrans Rex[que] Pater[que] Deûm.// Blanda minis miscens Phebum Titana cöegit/ Ut Solis solitum currus iniret iter.” (Translation: “How Phaethon subdued the fires with his fiery spear, the King and Father of the gods, mixing flattering threats, the Titan compelled Phoebus to take the usual course of the Sun's chariot.”)

References:

• TIB 0302.055 (Walter L. Strauss [ed.] The Illustrated Bartsch: Netherlandish Artists: Hendrik Goltzius”, “vol. 3 [Commentary], 1980, New York, Abaris Books, p. 356, cat. no. [0302].055)
• Hollstein 532 (F.W.H. Holstein, “Dutch and Flemish Etchings Engravings and Woodcuts c. 1450–1700: GOLTZIUS–HEEMSKERCK”, vol. 13, 1953, Amsterdam, Menno Hertzberger, p. 138, cat. nos. 508–559)

• The British Museum: https://www.britishmuseum.org/collection/object/P_1947-0412-3-25
• The Rijksmuseum describes this print: “After Phaeton's death, the sun god wraps himself in mourning and deprives the earth of daylight. The gods, including Jupiter, request him to return to riding across the sky in his chariot. Below the image are two sets of two lines of Latin text. This print is part of a series of 52 prints depicting stories from Ovid's Metamorphoses. This series is divided into three numbered series: two of 20 prints and one of 12 prints. This print belongs to the second series.” (https://id.rijksmuseum.nl/200428507)

Price & Shipping:

AU$366 (approximately US$245.31 / €211.23 / £183.34), including worldwide express shipping. Please note that import duties and taxes are the buyer’s responsibility.

If you are interested in acquiring this superb engraving depicting the gods—Jupiter (Zeus) in the centre holding his trident with his eagle beside him, Hercules in the foreground at left wearing his lion skin and resting his club, and Helios (Phoebus Apollo) standing on a cloud at right requested to resume his chariot ride to bring daylight to the world—please contact me at oz_jim@printsandprinciples.com. I am happy to provide a secure PayPal invoice for a seamless purchase.

This print has been sold 

Charles Jacque, “La Petite Baigneuse”, 1843

Charles Jacque (also known as Charles Émile Jacque) (1813–1894)
“La Petite Baigneuse” (The Little Bather) (also known as “Jeune Femme au Bain” [Young Woman Bathing]), 1843

Please note that the Metropolitan Museum of Art describes two versions of this etching with different titles and dates of execution. One version is titled “The Young Bather”, 1843, inscribed with the plate number (“38_3”) and the printer’s details (“Imp Delâtre, Paris”)—see https://www.metmuseum.org/art/collection/search/830282. The other version is titled “Jeune Femme au Bain”, 1866, which does not have the lettered details—see https://www.metmuseum.org/art/collection/search/835077.

The apparent discrepancy may have arisen with Beraldi’s revisions to Guiffrey’s catalogue raisonné (“L’Oeuvre de Ch. Jacque: Catalogue de ses Eaux-Fortes et Pointes Sèches”), where Beraldi mentions this print (without attributing a date) on page 105, cat.no 215. Guiffrey originally titled this work “La Petite Baigneuse” with the date of execution as 1864, though he does not describe an unlettered state. Beraldi expanded on Jacque’s prints created after 1866 and assigned a new title but did not propose a change to the original date.

While the title is of low importance, the true date remains as Guiffrey indicated: 1864.

Technical Details & Condition:

This etching is a proof impression before lettering, created in areas with dot-roulette on fine laid paper with generously wide margins. The impression is strong and nearly flawless. The sheet is in near pristine condition—free from tears, holes, folds, stains, or signs of handling.

Dimensions:

• Sheet: 48.2 x 30.5 cm
• Platemark: 17.3 x 8.1 cm
• Image borderline: 16.7 x 7.5 cm

References:

• Guiffrey 215 (J.-J. Guiffrey, 1868, L’Oeuvre de Ch. Jacque: Catalogue de ses Eaux-Fortes et Pointes Sèches, Paris, Lemaire, pp. 104–105, cat.no. 215)
• Beraldi 423 (Henri Beraldi, Les Graveurs du Dix-Neuvième Siècle: GUÉRIN-LACOSTE, 1889, vol. VIII, Paris, Librairie L. Conquet, p. 180, cat.no. 423)

Price & Shipping:

AU$277 (approximately US$185.17 / €159.10 / £137.88), including worldwide express shipping. Please note that import duties and taxes are the buyer’s responsibility.

If you are interested in acquiring this simply magnificent etching, executed with the utmost skill and confidence by one of the luminaries of the Barbizon School, please contact me at oz_jim@printsandprinciples.com. I am happy to provide a secure PayPal invoice for a seamless purchase.

This print has been sold

Tsi Tan, “La Récolte de Coton”, c. 1955

Tsi Tan (fl. 1950s—?)

“La Récolte de Coton” (The Cotton Harvest), circa 1955

Technical Details & Condition:

An original woodcut printed in three colours—black, ochre and white—on fine cream wove paper with full margins and the printed title as issued. Published in Beijing (then Peking) in 1956 by Éditions en Langues Étrangères (Foreign Languages Press) (fl.1952–) as plate 25 in a folio of 40 original woodcuts titled “Gravures sur Bois de la Chine Nouvelle” (Woodcuts of New China). Notably, this print was featured in the second National Exhibition of Fine Arts (China) in 1955 and was selected for inclusion in the 1956 folio celebrating the achievements of “la Chine Nouvelle” (the new China).

The print is lettered below the image: “25. La récolte de coton  Tsi Tan”. The impression is strong and flawless, the sheet in near pristine condition—free from tears, holes, folds, abrasions, stains, or signs of handling.

Dimensions:

• Sheet: 25 x 34.8 cm

• Image borderline: 14.2 x 28.3 cm

Price & Shipping:

AU$174 (approximately US$116.28 / €99.88 / £86.63), inclusive of worldwide express shipping. Please note that import duties and taxes are the buyer’s responsibility.

If you are interested in acquiring this vividly glowing woodblock print depicting rural life in China in the mid-1900s—highlighting the labour-intensive process of packing the dazzlingly white cotton bolls into bags for transportation, typically from October to December—please contact me at oz_jim@printsandprinciples.com. I will promptly send a PayPal invoice to facilitate a smooth and secure purchase.