Abbé de Saint-Non, “Pastoral Scene”, 1755, after Jean Baptiste Le Prince

Abbé de Saint-Non (aka Abbé Jean Claude Richard de Saint-Non; Jean Claude Richard de Saint-Non) (1730–1792)

“Pastoral Scene” (aka “Landscape with figures letting their cattle drink at a well”), 1755, possibly from the set of 296 plates executed between 1755 and 1778, “Recueil de griffonnis, de vues, paysages, fragments antiques et sujets historiques” (see https://www.britishmuseum.org/collection/object/P_1869-0410-2376; https://www.britishmuseum.org/collection/object/P_1997-0928-351) after the design by the inventor of the aquatint, Jean Baptiste Le Prince (1734–1781).

Etching on fine laid paper, trimmed with a thread margin around the image borderline with loss of the text lines and backed with a support sheet providing wide margins.

Size: (sheet) 21.2 x 15.7 cm

The Rijksmuseum offers a description of this print: https://id.rijksmuseum.nl/200399901.

Condition: a well-printed impression trimmed around the image borderline with loss of the production details and laid upon a sheet of archival (millennium-quality) washi paper, providing wide margins. The sheet is in a good condition, with no tears, holes, folds, abrasions, or significant stains.

I am offering this rare and sensitively executed etching created by the patron of Jean-Honoré Fragonard (1732–1806) and sponsor of the 'Voyage Pittoresque de Naples et de Sicile' (1781–86), for the total price of AU$247 (approximately US$160, €136, £119), which includes worldwide express shipping. Please note that any applicable import duties are the buyer’s responsibility.

If you’re interested in this romantic depiction of 18th-century French rural life, please contact me at oz_jim@printsandprinciples.com. I’m happy to provide a secure PayPal invoice for a seamless and safe purchase.

Théodore Chassériau, “La Mère et l'Enfant”, 1845

Théodore Chassériau (1819–1856)

“La Mère et l'Enfant” (Mother and Child), 1845, etching and soft-ground etching printed in umber ink on chine collè China paper on wove paper, published in “L’Artiste” in December 1845.

Size: (sheet) 30 x 23.1 cm; (plate) 21.3 x 15 cm; (chine collé) 19.8 x 13.5 cm; (image borderline) 18.9 x 12.5 cm.

Inscribed in the plate outside the image borderline: (upper centre) “L’ARTISTE”; (lower left) “Dessine et Grave par Théodore Chasseriau”; (lower centre) “LA MÈRE ET L'ENFANT”.

State ii (of ii) published state

IFF 14 (Jean Adhémar 1949, “Inventaire du Fonds Français après 1800: CABANE–CICÉRI”, Paris, Bibliothèque Nationale de France, Département des Estampes, vol. 4, p. 410, cat. no. 14 [ https://gallica.bnf.fr/ark:/12148/bpt6k5510949t/f432]); Béraldi 24

Condition: A strong and well-printed impression with full margins as published. Beyond pale age-toning to the outer edges, the sheet is in an excellent condition, free from tears, holes, folds, abrasions or stains.

This magnificent etching, created by a pupil of the renowned painter Jean-Auguste-Dominique Ingres (1780–1867), exemplifies the Neoclassical focus on capturing intimate moments within a timeless, frozen scene. I am offering this rare and visually striking etching for AU$261 (approximately US$170, EUR €146, GBP £127), including worldwide express shipping. Please be aware that any applicable import duties are the buyer’s responsibility.

If you’re interested in this strong and well-crafted etching, please contact me at oz_jim@printsandprinciples.com. I am happy to provide a secure PayPal invoice for a smooth transaction.

This print has been sold

Carl Friedrich Schmidt, “Plate X: Section II, Mammifères”, 1882–1886

Carl Friedrich Schmidt (1811–1890)

“Plate X: Section II, Mammifères”, 1882–1886, colour lithograph printed in Berlin, based on a design executed in 1882 by the renowned zoologist and botanist Hermann Burmeister (1807–1892). This artwork serves as Plate X in Burmeister’s comprehensive work, “Description physique de la République Argentine d'après des observations personnelles et étrangères”.

The lithograph is printed on heavy wove paper backed with a support sheet.

Size: (sheet) 35.7 x 47.3 cm

Inscribed in the plate: (upper left) “II Mammifères”; (upper right) “Pl. X”; (lower left) “H. Burmeister del. August 1882.”; (lower right) “C.F. Schmidt lith. Berlin.”

Each anatomical detail is labelled with a relevant figure number and scale.

Condition: A strong, well-printed impression with vivid, unfaded colour. The sheet is in an excellent condition, free from tears, holes, abrasions, or stains.

This striking, large illustration depicts a seal with detailed studies of its skeletal features—potentially offering comparative insights between living and fossilized seals from Argentina (though this is a speculative interpretation). Priced at AU$216 (approximately US$140.55, EUR €120.94, GBP £105.36), including worldwide express shipping. Please note that any applicable import duties are the buyer’s responsibility.

If you’re interested in this beautifully rendered study of a seal and its anatomy, please contact me at oz_jim@printsandprinciples.com. I am happy to provide a secure PayPal invoice for a smooth transaction.

Jacob Gole and Joseph Mulder, “Sedum Maius Arborescens Radicabile”, 1698

Jacob Gole (aka Jacob Golé) (c. 1660–1724) and Joseph Mulder (1659/6–[after] 1710)

“Sedum Maius Arborescens Radicabile”, 1698, published in Leiden and Utrecht by Pieter vander Aa and François Halma, as an illustration (Fig. 129) to Abraham Munting’s (aka Abrahamo Muntingio) (1626–1683) “Naauwkeurige beschryving der aardgewassen, waar in de veelerley aart en bijzondere eigenschappen der boomen, heesters, kruyden, bloemen, met haare vrugten, zaden, wortelen en bollen, neevens derzelver waare voort-teeling, gelukkige aanwinning, en heylzaame genees-krachten ... beschreeven worden” (Accurate description of the terrestrial plants, in which the various types and specific properties of trees, shrubs, herbs, flowers, with their fruits, seeds, roots and bulbs, together with their true reproduction, successful acquisition, and beneficial medicinal powers ... are described), facing page 467.

Archive.org offers an online view of this print in its context in the publication: https://archive.org/details/naauwkeurigebesc01munt/page/n533/mode/2up.

Antonio Raimo Gallery offers an excellent explanation of this print and the history of its publication: https://antonioraimogallery.com/products/etching-engraving-of-sedum-maius-arborescens-radicabile-abraham-munting-1696.

Engraving with etching on laid paper with margins as published.

Size: (sheet) 43.3 x 26.3 cm; (platemark) 30.8 x 19.9 cm

Inscribed in plate: (upper edge at centre) “Fig. 129.”; (upper right corner) “Fol: 468.”; (on tablet) “SEDUM MAIUS ARBORESCENS RADICABILE.”

Condition: a strong and well-printed impression with margins as published. There are three spot stains in the margins, otherwise the sheet is in an excellent condition for its large size and age, with no tears, holes, folds, abrasions or significant stains.

I am pleased to offer this stunning large botanical illustration of the plant commonly known as “Autumn Joy” Sedum. The artwork beautifully depicts its aerial roots set against a scenic backdrop of mountains and trees, capturing the plant’s intricate details and natural beauty. Priced at AU$241 (approximately US$156.75, EUR €135.38, or GBP £117.47), this purchase includes worldwide express shipping. Please note that any applicable import duties are the buyer’s responsibility.

If you are interested in owning this visually arresting and almost surreal botanical study, please contact me at oz_jim@printsandprinciples.com. I will gladly provide a PayPal invoice to ensure a secure and seamless transaction.

Rare Collection: Folio of 19 antique prints by diverse pre-twentieth century printmakers

Up for sale is an intriguing folio featuring a diverse selection of 19 antique prints on paper by pre-twentieth-century printmakers. These works offer a fascinating glimpse into historical approaches to printmaking. 

The total price for the entire folio is AU$1900, which includes express worldwide shipping. Payment can be conveniently made via PayPal for a secure and smooth transaction. 

This is a unique opportunity to acquire a varied collection of antique prints—perfect for collectors, enthusiasts, or anyone looking to enrich their art collection with historically significant works. 

Don’t miss out on this exceptional offering!

This folio has been sold

Alexandre Calame, “At Meiringen (Canton of Berne, Switzerland)”, 1851

Alexandre Calame (aka Alexandre Calam; Alexandre Calamy) (1810–64)

“At Meiringen (Canton of Berne, Switzerland)”, 1851, plate 19 from the suite of fifty lithographs, “Oeuvres de A. Calame”, printed and published by François Delarue (fl.1850–60s) in Paris.

Lithograph on buff coloured chine-collé on heavy wove white paper with full margins as published.

Size: (sheet) 40 x 57 cm; (image) 21.6 x 27.8 cm

Signed in plate within the image borderline: (lower right corner) “Calame […]”.

Lettered in plate above the image borderline: (left) “OEUVRES DE A CALAME.”; (right) “N^o. 19.”

Lettered in plate below the image borderline: (left) “du Cabinet de M^r. Van Loo.”; (centre) “Imp. F^OIS. Delarue, Paris.”; (right) “F. DELARUE, Edit r. J.J. Rousseau […] Paris.”

The Fine Art Museums of San Franscisco offer a brief description of this print: https://www.famsf.org/artworks/at-meringen-canton-of-berne-suisse (inv. no. 1963.30.17531).

Condition: a strong impression with generously wide margins as published. There is a fine line created by a gap in the chine-collé, otherwise the sheet is in a near pristine condition for its large size and age, with no tears, holes, folds, abrasions or significant stains

I am offering this exceptionally beautiful lithograph by a prominent Swiss artist of the 19th century. To me, this work exemplifies the artist’s mastery of light, particularly the shimmering effects created as it filters through leaves, adding a poetic quality to the forest scene set in Meiringen, Switzerland. Priced at AU$233 (approximately US$152, EUR €131, or GBP £114), this price includes worldwide express shipping. Please note that any applicable import duties are the buyer’s responsibility.

If you are interested in owning this superb lithograph, please contact me at oz_jim@printsandprinciples.com. I will gladly provide a PayPal invoice for a secure and seamless purchase.

This print has been sold