Charles Jacque (aka Charles Émile Jacque)
(1813–1894)
“Portrait of Jules Luquet” (aka “M Jules Luquet, Directeur de la
Société des Aquafortistes”), 1866, a rare impression before lettering and
numbering for publication as plate 241 for the fifth volume of prints, “Eaux-Fortes
Modernes”, produced by the Société des Aquafortistes (see an impression from
the lettered state held by the Philadelphia Museum of Art [https://philamuseum.org/collection/object/255984]
and an impression from the first state before the addition of aquatint offered
by Gallerie Paul Prouté [https://galeriepaulproute.fr/estampes/13630-jacque-portrait-de-jules-luquet]).
Note that Jules Luquet (1824–?)—the subject of this portrait—not only collaborated
with Alfred Cadart (1828–1875) as co-founders of the
firm, Cadart & Luquet (fl.1863–1867), who published this print in
Paris, but he is also the director of the Société des Aquafortistes (Society of
Etchers) who sponsored the publication. Although Jules Luquet is a printer, Auguste
Delâtre (aka Auguste Marie Delâtre) (1822–1907) is shown as the printer in
the publication details of the final state.
Etching with aquatint and
plate tone on laid paper with a partial watermark and generously wide margins.
Size: (sheet) 50.7 x 34.3
cm; (platemark) 31.7 x 23.8 cm; (image borderline) 25.5 x 20.5 cm.
Inscribed in plate within
the image borderline: (upper-left corner) “Ch. Jacque 1866.”
Beraldi 437 (Henri Béraldi
1889, “Les Graveurs du XIXe Siècle: Guide de l'Amateur d'Estampes
Modernes”, vol. VIII, Paris, Librairie L. Conquet, p. 180, cat. no. 437); IFF 332 (Jean
Adhémar & Jacques Lethève 1954, “Inventaire du Fonds Français après 1800”,
vol. 11, Paris, Bibliothèque nationale de France, p. 117, cat. no. 332).
See also the description
of this print offered by the British Museum: https://www.britishmuseum.org/collection/object/P_1867-1214-2.
Note that this is the
second impression of this etching that I have listed (see https://www.printsandprinciples.com/2021/05/charles-jacques-etching-m-jules-luquet.html).
The previous copy was from the lettered state and has been sold.
Condition: a richly inked
and near faultless early impression before lettering for publication with
generously wide margins in a near pristine condition with no tears, holes, folds,
losses, abrasions or significant stains.
I am selling this
historically important portrait of a leading printer, publisher and advocate of
the Etching Revival movement of the late 19th century that
promoted original etchings (as opposed to reproductive engravings) as a
significant art form, for AU$323 in total (currently US$219.91/EUR197.46/GBP166.09
at the time of posting this print) including Express Mail (EMS) postage and
handling to anywhere in the world, but not (of course) any import duties/taxes
imposed by some countries. Note that payment is in Australian dollars (AU$323)
as this is my currency.
If you are interested in
purchasing this masterwork of portrait etching executed with the utmost skill
and confidence by one of the luminaries of the Barbizon School, please contact
me (oz_jim@printsandprinciples.com) and I will send you a PayPal invoice to
make the payment easy.
This print has been sold
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