Claudine
Bouzonnet Stella (aka Claudia
Bouzonnet-Stella) (1636–1697)
“Agony in the
Garden of Gethsemane”, c1670 (1646–1697), plate 4 from the series of 13/14
plates, “Life and Passion of Christ (aka “La Vie et la Passion du Christ”; “Het
leven en lijden van Christus”), published in Paris with privilege from Louis
XIV (King of France), after the intermediary design by Jacques
Stella (1596–1657), after the painting of the same composition
previously attributed to Nicolas Poussin (1594–1665).
Engraving with
etching on laid paper with wide margins.
Size: (sheet) 56.3
x 40.1cm; (plate) 45.2 x 34.1cm; (image borderline) 42.7 x 33.5cm.
Lettered in
plate below the image borderline: (left) “N. Poussin in et pinx.”; (right) “Claudia
Stella Sculp./ 4.”
Regarding the
series of which this print is a part, the Curator of the British Museum offers
the following insights:
“From a series
of thirteen (or fourteen?) plates depicting the Passion of Christ.
The set is now
thought to have been engraved after designs by Jacques Stella rather than by
Poussin.
Indeed,
Claudine Stella's will (1697) states that she owned a series of thirty
paintings by Jacques Stella depicting the Passion, and that although she had
intended on reproduce them, she had only been able to engrave ten plates (entry
into Jerusalem; Last Supper; Jesus washing the Apostles' feet; the prayer at
Gethsemane; capture of Christ; Christ before Annas; St Peter's denial; Christ
before Caiaphas; Christ mocked by the soldiers; Christ led to Pilate). She
bequeathed these paintings and these plates to her cousin Michel de Masso and
explicitly asked him to engrave or to commission the engraving of the remaining
plates. It is believed that De Masso or one of his heirs then replaced Jacques
Stella's name by that of Poussin.
For practical
reason, the whole series is kept under the name of Claudine Stella.
See Anthony
Blunt 'Jacques Stella, the De Masso family and falsifications of Poussin',
Burlington Magazine vol. CXVI, December 1974, pp. 744-749.” (https://www.britishmuseum.org/collection/object/P_U-7-37
[BM inv.no. U,7.37])
LeBlanc 7
(Charles Le Blanc 1856, “Manuel de l'amateur d'estampes, contenant un
dictionnaire des graveurs de toutes les nations: ouvrage destiné à faire suite
au Manuel du libraire par J.Ch. Brunet”, vol. 3, p. 589, cat. no. 7 [see https://archive.org/details/manueldelamateur03lebl/page/588/mode/2up]);
Nagler 6 (G.K. Nagler 1832–52, “Neues allgemeines Künstler-Lexicon
oder Nachrichten von dem Leben und den Werken der Maler, Bildhauer,
Kupferstecher, Formschneider, Lithographen”, vol. 17, p. 308, cat. no. 6
[see https://archive.org/details/bub_gb_jE1QmVcKYywC/page/307/mode/2up]);
Andresen 197a; Wildenstein IX.
The British
Museum offers the following description of this print: “Plate 4: agony in
garden of Gethsemane; night scene with angel supporting the body of Christ,
prostrated on the ground; several angels holding the instruments of the Passion
have appeared before him, at right. before 1697/ Etching and engraving” (https://www.britishmuseum.org/collection/object/P_U-7-40
[BM inv.no. U,7.40]).
See also the
Rijksmuseum’s description of this print: http://hdl.handle.net/10934/RM0001.COLLECT.179732.
Condition: a strong
and well-printed (near faultless) impression with wide margins in an excellent
condition for its considerable age with no tears or significant stains.
I am selling
this large engraving (with etching) executed by one of the few historically
documented female printmakers from the late Renaissance period for AU$314
(currently US $199.78/ EUR 190.99/ GBP158.14 at the time of posting this
listing) including Express Mail (EMS) postage and handling to anywhere in the
world, but not (of course) any import duties/taxes imposed by some countries.
Note that payment is in Australian dollars (AU $314) as this is my currency.
If you are
interested in purchasing this magnificent engraving exemplifying the period
style of Mannerism, please contact me (oz_jim@printsandprinciples.com) and I
will send you a PayPal invoice to make the payment easy.
This print has been sold
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