Jan
Collaert II (aka Jan Collaert; Hans Collaert) (c.1561–c.1620)
“Hunting
Quails and Rabbits”, c.1600,
a rare first state impression of plate 69 (before numbering) from the series of
104 plates, “Venationes Ferarum, Avium, Piscium. Pugnae Bestiariorum: &
mutuae Bestiarum”, after a drawing by Jan van der
Straet (aka Joannes Stradanus; Ioannes Stradanus) (1523–1605) in
the Nationalmuseum in Stockholm and a preliminary sketch in the National Design
Museum in New York (inv. 1901-39-295v), with Latin text by Cornelis Kiliaan
(c1529–1607), published by Philips Galle (aka Philippus Gallaeus; Philippe
Galle) (1537–1612) in Antwerp.
Engraving on
laid paper trimmed with a small margin around the platemark and backed with a
support sheet.
Size: (sheet) 20.6
x 28.3cm; (plate) 19.8 x 27.2cm; (image borderline) 18.1 x 27.1cm.
Inscribed on
plate within the image borderline along lower edge: (left) “Ioan. Stradanus
inuent.”; (left of centre) Ioan. Collaert Sculp.”; (right) “Phls Galle excud.”
Lettered in
plate below the image borderline in two columns of two lines of Latin: (centre) “Nexa
Coturnicibut Venator retia tendit./ Cum segetes messæ: Plaudo latrante, pætentem//
Grex sese simul in campum velociter infert;/ Collectas Auceps deprendit casse
volucres.” (The hunter stretches his nets for the quails./ When the harvest is
reaped: I applaud, barking, lamenting// The flock quickly rushes into the field
together;/ The birdcatcher catches the birds gathered.)
State i (of
iii) before the addition of the number (“69”)
New Hollstein 521
(Johannes Stradanus) (Marjolein Leesberg [comp.] 2008, The New Hollstein:
Dutch and Flemish Etchings, Engravings and Woodcuts 1450–1700: Johannes
Stradanus, part. 3, Ouderkerk aan den Ijssel, Sound and Vision, p. 196; [illus.
p. 229], cat. no. 521); New Hollstein 1523 (Collaert Dynasty) (Ann Diels &
Marjolein Leesberg [comp.] 2005–06, The New Hollstein: Dutch and Flemish
Etchings, Engravings and Woodcuts 1450–1700: The Collaert
Dynasty, vol. 8,
Ouderkerk aan den Ijssel, Sound and Vision, cat. no. 1523).
The British
Museum offers the following description of this print: “Plate 69, Quail and
Rabbit Hunt; on a corn field with sheaves of corn, two men on horseback, coming
from the right, are about to drag a net over a covey of quails; to the left,
two men draw a net over a rabbit; on the horizon, to the left, a church is
seen, while to the right, a farm building is seen” (https://www.britishmuseum.org/collection/object/P_1957-0413-77
[inv. 1957,0413.77]).
See also the
Rijksmuseum’s description of this print: https://id.rijksmuseum.nl/200175668.
Condition: a strong
and near faultless impression with small margins around the platemark. The
sheet is in an excellent condition with no tears, holes, abrasions, losses or
significant stains and is laid upon an archival support sheet of millennium
quality washi paper providing wide margins.
I am selling
this exceptionally rare lifetime impression from the first state—interestingly
the New Hollstein mentions only two impressions of this print from the first
state held in museum repositories (but I may have misunderstood the advice [see
“Johannes Stradanus, part 3, p. 196, cat. no. 521, SI]— for AU $319 in total (currently
US $198.43/ EUR 190.36/ GBP 157.69 at the time of posting this print) including
Express Mail (EMS) postage and handling to anywhere in the world, but not (of
course) any import duties/taxes imposed by some countries. Note that payment is
in Australian dollars (AU $319) as this is my currency.
If you are
interested in purchasing this exceptionally fine late Renaissance period
engraving showing the hunting technique in the 16th century for catching quail and rabbits, please contact me (oz_jim@printsandprinciples.com) and I will send you
a PayPal invoice to make the payment easy.
This print has been sold
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