Étienne Delaune, “God Commanding Noah to Enter the Ark”, c.1560

Étienne Delaune (aka Stephanus) (c. 1518–1583)
“God Commanding Noah to Enter the Ark” (or “Dieu ordonnant à Noé d'entrer dans l'Arche”), circa 1560 (1550–1572)

Technical Details & Condition:
Engraving on laid paper, trimmed around the image borderline, mounted on a support sheet providing wide margins. This is plate 10 from the series of 36 engravings, “The Genesis” (also known as “Histoire de la Genèse”). It is a first state (lifetime) impression, before a lowercase “i” was inserted between the last two letters of the word “DIXT” in the Latin inscription on the writing edge. For an explanation of the two states of this print, see Robert-Dumesnil [1865] on page 30, cat. no. 33, and compare this first state impression with the second state held by the Louvre: https://collections.louvre.fr/ark:/53355/cl020576829.

The impression is strong and well-printed. Aside from restored fractures in the writing edge, the image area is free of tears, holes, folds, or significant stains.

Dimensions:
• Sheet: 7.7 x 10.5 cm
• Image borderline: 6.9 x 10.5 cm

Lettering on Plate (with translation):
• Within the image borderline at lower left: “Cum Pri. Reg.” (with Royal Privilege) and “.S.F.” (Stephanus Fecit / made it)
• Below the image borderline at centre: “GENESE 7” (referring to Chapter 7 of the Book of Genesis) / “DIXT DOMINVS [AD] NOAH INCREDERE TV ET OMNIS DOMVS TVA / IN ARCA ET EX OMIN[V]IVMENTO ACCIPIES TIBI DE VOLVORE QVOOZ COELI” (The Lord said to Noah: Go into the ark, you and your entire family. And take with you every kind of living creature, including the birds of the sky.)

References:
• Robert-Dumesnil 33 (A.P.F. Robert-Dumesnil, “Le peintre-graveur français, ou catalogue raisonné des estampes gravées par les peintres et les dessinateurs de l'école française: ouvrage faisant suite au peintre-graveur de Bartsch”, vol. 9, 1865, Paris, Bouchard-Huzard, p. 30, cat. no. 33). See https://archive.org/details/bnf-bpt6k65575421/page/n51/mode/2up
• British Museum: https://www.britishmuseum.org/collection/object/P_Gg-4D-95

Price & Shipping:
AU$298 (approximately US$211.02 / €178.35 / £155.95), including worldwide express shipping.
Please note: Import duties and taxes are the buyer’s responsibility.

If you are interested in acquiring this jewel-like engraving depicting God giving instructions to Noah as the creatures of the world board the ark—note the interesting size relationship between the elephant entering the ark and the face of one of Noah’s sons welcoming it inside—please contact me at oz_jim@printsandprinciples.com. I am happy to provide a secure PayPal invoice for a seamless purchase.

This print has been sold

Tomikichiro Tokuriki, “Mount Fuji from Shiraito Waterfall,” c. 1940

Tomikichiro Tokuriki (1902–1999)
“Mount Fuji from Shiraito Waterfall,” or Shiraito taki no Fuji, circa 1939–40

Technical Details & Condition:
A colour woodblock print on laid paper with margins as issued. This large oban size (dai-oban) print is plate number 8 in the series “Thirty-Six Views of Mount Fuji” (富士三十六景), published in Kyoto by Uchida Bijutsu Shoten [内田].

Please note that this is an early impression; later printings were produced without the series title on the right margin—see https://ukiyo-e.org/image/artelino/21650g1.

The impression is faultlessly printed, featuring vibrant and unfaded colour. The sheet is in pristine condition—free of tears, holes, folds, abrasions, stains, or handling marks.

Dimensions:
• Sheet: 28.4 x 41.3 cm
• Image borderline: 26.3 x 38.2 cm

Text on Print (translated):
• Top right: Thirty-Six Views of Mt. Fuji: Mt. Fuji from Shiraito Waterfall
• Middle right: Made by Tomikichiro
• Bottom right: Published by Uchida Art Publishing

References:
• Galerie bei der Oper: https://woodblock-print.eu/landscapes/tokuriki-tomikichiro-shiraito-taki-no-fuji-detail.html
• Ohmi Gallery showcases the complete series of thirty-six prints, including this one, with background information: http://www.ohmigallery.com/DB/Artists/Tokuriki_Tomikichiro_36_Fuji.asp

Price & Shipping:
AU$384 (approximately US$272.11 / €230.88 / £201.84), including worldwide express shipping.
Please note: Import duties and taxes are the buyer’s responsibility.

If you are interested in acquiring this large colour woodblock from the first edition of the series of thirty-six views of Mount Fuji—an intriguing variation on Hokusai’s renowned series—please contact me at oz_jim@printsandprinciples.com. I am happy to provide a secure PayPal invoice for a seamless purchase.

Gustav Meissner, “The Windmill”, c. 1878

Gustav Meissner (1830–1901)
“The Windmill” (also known as “Die Windmühle” and “A Mill in Prussia”), circa 1878

Technical Details & Condition:
Etching on heavy wove paper with narrow margins around the platemark, backed with a support sheet providing wider margins. This impression is before the addition of lettering with the title and publication details.

Notably, the British Museum holds an impression of this etching published in Düsseldorf by the Düsseldorfer Radir-Club (Etching-Club Düsseldorf), active from 1870 to 1880—see https://www.britishmuseum.org/collection/object/P_1879-0614-711. This print was also published in Vienna in 1882 by the Gesellschaft für vervielfältigende Kunst (Society for Reproductive Art), active from 1871 to 1933/35.

The impression is well-printed, exhibiting a silvery grey tone with no signs of wear to the printing plate. The sheet is in pristine condition—free of tears, holes, folds, abrasions, stains, or handling marks.

Dimensions:
• Sheet: 13.5 x 23.2 cm
• Platemark: 12.3 x 22.7 cm
• Image borderline: 8.2 x 18.5 cm

Price & Shipping:
AU$222 (approximately US$157.31 / €133.48 / £116.69), including worldwide express shipping.
Please note: Import duties and taxes are the buyer’s responsibility.

If you are interested in acquiring this historically significant view of the rural Prussian countryside in the late 1800s—highlighting the artist’s careful attention to detail in his depiction of a herd of cattle led by a woman, who is not only carrying a heavy bundle (Holzbündel) of firewood (Leseholz) but also watching over her child, who is helpfully dragging a branch to assist in her task—please contact me at oz_jim@printsandprinciples.com. I am happy to provide a secure PayPal invoice for a smooth and seamless purchase.

Charles François Daubigny, “Le Pré de Graves à Villerville (Calvados)”, 1875

Charles François Daubigny (1817–1878)
“Le Pré de Graves à Villerville (Calvados)” (also known as “The Meadow at Grave, near Villerville”), 1875

The site depicted in this etching is a meadow (pré) within Parc des Graves—a protected area of pastures near the cliffs of the Roches Noires - Pointe du Heurt, at the western entrance to the village of Villerville in the Calvados department of Normandy, France. Daubigny frequently depicted this landscape, populated with grazing cows and wild rabbits; in this view, there is also a distant vista of the Seine estuary (Baie de Seine).

Technical Details & Condition:
Etching on laid paper with full margins, as issued. This print appears as plate 3 in the art periodical “L’Illustration Novelle” (New Illustration), volume 8, published in Paris by the widow of Alfred Cadart (Vve A. Cadart) in 1876. It is one of the last four prints produced by Daubigny. This impression is from the fully lettered state published in 1876: state iii (of iii).

The impression is richly inked and faultlessly printed. The sheet is in pristine condition—free of tears, holes, folds, abrasions, stains, or handling marks.

Dimensions:
• Sheet: 33.1 x 44.6 cm
• Platemark: 15.9 x 24.1 cm
• Image borderline: 12.5 x 20.4 cm

Lettering on Plate:
• Upper right corner: “3”
• Below the image borderline: (left) “Daubigny del et sculp.”; (centre) “LE PRÉ DE GRAVES À VILLERVILLE (Calvados)”; (right) “V^ve A. Cadart. Edit. Imp. 56 B^ard Haussmann, Paris.”

References:
• Melot D 124 (Michel Melot, “Graphic Art of the Pre-Impressionists,” 1978, New York, Harry N. Abrams, p. 282, cat. no. D 124)
• British Museum: https://www.britishmuseum.org/collection/object/P_1915-0105-14-76

Price & Shipping:
AU$297 (approximately US$208.99 / €177.75 / £155.48), including worldwide express shipping.
Please note: Import duties and taxes are the buyer’s responsibility.

If you are interested in acquiring this superb etching by one of the luminaries of the Barbizon School—representing one of the artist’s final etchings and capturing a sweeping view of the meadow at one of his favourite sites of inspiration in Normandy, France, complete with grazing cows and rabbits—please contact me at oz_jim@printsandprinciples.com. I am happy to provide a secure PayPal invoice for a smooth and seamless purchase.

This print has been sold