Cornelis Visscher II, “Shepherdess on a Donkey,” c. 1655, after Nicolaes Berchem

Cornelis Visscher II (1628/9–1658)

“Shepherdess on a Donkey,” c. 1655 (1650–1660)

Technical Details & Condition:

Engraving and etching on buff laid paper with a partial watermark, trimmed close to the platemark. 

This print is based on a design by Nicolaes Berchem (also known as Nicolaes Pietersz Berchem) (1620–1683). A related drawing by Berchem is housed in Leiden. It is the second plate in the series “Rolling Landscapes” or “Landscapes after Nicolaes Berchem.” This impression is from the second of two states, distinguished by the addition of the plate number. 

The impression is strong and well-printed, with no signs of wear to the printing plate. There is an ink notation by an old hand on the reverse (verso) of the sheet. Overall, the sheet is in excellent condition, free of tears, holes, folds, abrasions, or significant stains.

Dimensions:

• Sheet: 27.1 x 21.5 cm
• Platemark: 26.8 x 21.3 cm
• Image borderline: 26.2 x 20.5 cm

In-Plate Lettering:

• Upper-left corner: “Berghem Delinea / C. Visscher f.”
• Lower-right corner: “2”

References:

• Hollstein 69 (FWH Hollstein, “Dutch & Flemish Etchings, Engravings and Woodcuts ca. 1450-1700: Cornelis de Visscher, Cornelis Visscher, Hendrick Jansz Visscher, Lambert Visscher,” vol. XL, 1992, Roosendaal, Koninklijke van Poll, p. 176, cat. no. 69)
• Rijksmuseum: https://id.rijksmuseum.nl/200270354  
• British Museum: https://www.britishmuseum.org/collection/object/P_F-2-23  

Price & Shipping:

AU$266 (approximately US$182.83 / €158.84 / £137.87), including worldwide express shipping. Import duties (if any) are the buyer’s responsibility.

If you are interested in acquiring this peaceful pastoral scene from the Dutch Golden Age—note how the raking (possibly morning) light is used to render the contours of the figures with remarkable three-dimensionality, set against a broader treatment of tones in the background—please contact me at oz_jim@printsandprinciples.com. I will gladly send a PayPal invoice for a smooth, secure transaction.

This print has been sold

Isaak Major, “Chapel at the River”, c. 1610, after Pieter Stevens II

Isaak Major (also known as Issak Mayor) (c. 1576–1630)

“Chapel at the River,” circa 1610 (1586–1630)

Technical Details & Condition:

Engraving on fine laid paper trimmed close to the platemark.

This print is based on a drawing by Pieter Stevens II (c. 1567–after 1626), (see this drawing online in the Rijksmuseum: https://id.rijksmuseum.nl/200118785), from the series “Ten Landscapes”, published by Marco Sadeler (fl.1660s).

The impression is strong, and well-printed, showing no signs of wear to the printing plate. The left margin has been replenished beyond the platemark, and the sheet is professionally supported on tissue-thin archival (Kozo) washi paper.

Dimensions:

• Sheet: 24.2 x 18.5 cm
• Image borderline: 22.8 x 17.6 cm

In-Plate Lettering (below the image borderline):

• Left: “Marco Sadeler excudit.”

References:

• Hollstein 18 (FWH Hollstein, “German engravings, etchings and woodcuts c.1400–1700: Erasmus Loy to Jakob Mayr,” vol. 23, p. 176, cat. no. 18)
• Rijksmuseum: https://id.rijksmuseum.nl/200228335

Price & Shipping:

AU$402 (approximately US$276.30 / €240.05 / £208.37), including worldwide express shipping. Import duties (if any) are the buyer’s responsibility.

If you are interested in acquiring this sublime landscape—an evocative example of German Mannerism, with an almost electric stormy energy that captures the spirit of the period—please contact me at oz_jim@printsandprinciples.com. I will gladly send a PayPal invoice for a smooth, secure transaction.  

Frederik Bloemaert, “An Old Beggar”, c.1650, after Abraham Bloemaert

Frederik Bloemaert (1610–1669)

“An Old Beggar” (“Oude bedelaar”), c.1650 (1635–1669)

Technical Details & Condition:

Engraving on fine laid paper featuring a Foolscap watermark. The sheet has been trimmed with a narrow margin around the image borderline and professionally supported on tissue-thin archival (Kozo) washi paper. 

This print is based on a drawing by the artist’s father, Abraham Bloemaert (1564–1651). It is the second plate from the series of 30 engravings (“The Little Figures” / “De Kleine Figuren”), catalogued as Roethlisberger 322–350. 

The impression is strong, crisp, and well-printed, showing no signs of wear to the printing plate. The sheet is in near-pristine condition, free of tears, holes, folds, abrasions, or stains.

Dimensions:

• Sheet: 12.6 x 8 cm
• Image Borderline: 12.1 x 7.7 cm

In-Plate Numbering:

• Lower left corner: “2”

References:

• Roethlisberger 322 (Marcel G. Roethlisberger, “Abraham Bloemaert and His Sons: Paintings and Prints”, vol. 1, 1993, Davaco, Doornspuk, p. 240, cat. no. 322)
• Hollstein Dutch 157 (FWH Hollstein, “Dutch and Flemish etchings, engravings and woodcuts ca. 1450-1700: Berckheyde–Bodding”, vol. 2, 1950, Amsterdam, Menno Hertzberger, p. 87, cat. nos. 156–185)
• Rijksmuseum: https://id.rijksmuseum.nl/200447064

Price & Shipping:

AU$239 (approximately US$164.74 / €142.85 / £123.61), including worldwide express shipping. Import duties (if any) are the buyer’s responsibility.

If you are interested in acquiring this remarkably fine engraving of a beggar—an image reflecting a time when motives of beggars were often explored, with rascal beggars depicted looking back at their troubled origins and carrying bulging satchels, whereas genuine beggars looked ahead and bore no spoils of misadventure—please contact me at oz_jim@printsandprinciples.com. I will be happy to send a PayPal invoice for a smooth and secure transaction.

This print has been sold 

Aegidius Sadeler II, “Hunters Resting near Three Trees”, after Pieter Stevens II

Aegidius Sadeler II (also known as Ægedius Sadeler, Egidius Sadeler, Gillis Sadeler, and Gillis Sadler) (1568–1629)

“Hunters Resting near Three Trees” (TIB title) or, as titled in plate, “Marécage près de Bâle en Suisse” (Marsh near Basel in Switzerland), c. 1620 (1586–1629)

Technical Details & Condition:

Etching and engraving on fine laid paper, trimmed with a narrow margin around the image borderline. The sheet has been professionally supported on archival washi paper, with restorations to the edges. 

This print is based on a drawing by Pieter Stevens II (c. 1567–after 1626), housed in the Museo Civico, Bassano del Grappa. It is the fifth plate from the series “Eight landscapes from Bohemia.” This impression is from the fourth and final state, lettered with the title, “Marécage près de Bâle en Suisse.” It was initially published by Aegidius Sadeler, later by Marco Sadeler (fl. 1660s), and—as with this impression—by Jean François Daumont (fl. 1740–1775) in Paris during the 1700s.

The impression is strong, crisp, and well-printed, showing no signs of wear to the printing plate. The upper right corner of the sheet has been replenished, as have areas along the lower writing edge, with careful restoration.

Dimensions:

• Sheet: 17.3 x 26.2 cm
• Image Borderline: 15.9 x 25.6 cm

In-Plate Lettering (below the image borderline):

• Left: “Gravé par Sadeler.”
• Centre: “Marécage près de Bâle en Suisse.”
• Right: “A Paris chés Daumont”

References:

• TIB 7201.276 S4 (Isabelle de Ramaix, “The Illustrated Bartsch: Ægedius Sadeler II”, vol. 72, Part 1 [Supplement], 1997, New York, Abaris Books, p. 80, cat. no. [7201].276 S4)
• Hollstein 267 (Dieuwke de Hoop Scheffer [comp.], “Dutch and Flemish Etchings, Engravings and Woodcuts ca. 1450-1700: Aegidius Sadeler to Raphael Sadeler II: text” vol 21, 1982, Amsterdam, Van Gendt & Co, p. 110, cat. no. 267)
• “Metropolitan Museum of Art: https://www.metmuseum.org/art/collection/search/720134
• Rijksmuseum: https://id.rijksmuseum.nl/200247402

Price & Shipping:

AU$281 (approximately US$194.96 / €168.63 / £146.03), including worldwide express shipping. Import duties (if any) are the buyer’s responsibility.

If you are interested in acquiring this finely executed and luminous view of a marsh near Basel in Switzerland—animated with figures engaged in their daily pursuits—please contact me at oz_jim@printsandprinciples.com. I will be happy to send a PayPal invoice for a smooth and secure transaction.

This print has been sold