Alfred Alexandre Delauney (1830–95)
"Fruits
and Flowers on a Stone Ledge", 1865, after a painting (1723) by Jan van
Huysum (1682–1749), printed by Pierron
Etching on
thick wove paper.
Size: (sheet)
38.7 x 29.1 cm; (plate) 36.7 x 25.5 cm; (image) 40 x 32 cm
Lettered below
the image borderline with production and publication details: "Jan Van
Huysum Pinx. / Delauney Sculp. 1865", "Paris Delauney Editeur 39 Rue
de Seine" and "Imp. Pierron, Paris". Beraldi 1885-92 1-40; IFF
4.
The British
Museum offers the following description of this print:
“Fruits and
flowers on a stone ledge, after Jan van Huysum; on the right, a vase decorated
with a female figure.” (http://www.britishmuseum.org/research/collection_online/collection_object_details.aspx?objectId=3358411&partId=1&searchText=Huysum+&page=1)
Condition:
Strong, well-inked impression with small margins. The sheet is in good
condition (i.e. there are no tears, holes, folds, foxing or stains) but there
is light surface dustiness.
I am selling
this exceptionally fine reproductive etching executed in 1865 after a painting
executed by 1723 by Jan van Huysum for the total cost of AU$92 (currently US$66.94/EUR59.32/GBP46.36
at the time of posting this listing) including postage and handling to anywhere
in the world.
If you are
interested in purchasing this superb etching exemplifying the highest order of
technical skills, please contact me (oz_jim@printsandprinciples.com) and I will
send you a PayPal invoice to make the payment easy.
This print has been sold
Jan van
Huysum's flower-pieces—the technical name for still-life images like this—are
more than decoratively charming artworks executed with the highest order of
skill, patience and care; they are also layered in meanings. For instance, the
portrayed insects, cracked nuts, broken fruit and the few dead flowers
scattered through this image are designed to alert introspective sensitive folk
about the transience of life—the notion of vanitas.
Even the
artist's choice of flowers for this composition are fanciful concoctions. They
are chosen to represent the blossoms from all seasons rather than those of a
specific season.
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