Allaert van Everdingen (1621–75)
“Two Men in a
Doorway”, 1773 (18th century impression), from the series, “Twelve landscapes”
(H.40-51)
Etching on fine
laid paper
Size: (sheet)
10.1 x 14 cm
Inscribed with
the artist’s monogram (lower right corner) “AVE”.
Bartsch
II.186.48; Hollstein 48.II; Dytuit 48.III
The British
Museum offers the following description of this print: “Two men resting at the
door of a timber-built cottage; in left foreground; a dead tree and its broken
trunk next to a large rock at centre; at right view of a wooded landscape; from
a series of twelve plates.” (http://www.britishmuseum.org/research/collection_online/collection_object_details.aspx?objectId=1632462&partId=1&searchText=Allaert+van+Everdingen&page=5)
Condition:
crisp but slightly silvery impression with margins around the borderline, but
trimmed before plate marks and in good condition. There are remnants of
mounting hinges and pencil notes from previous collectors (verso).
I am selling
this early etching capturing the spirit of the Nordic landscape for AU$115 in
total (currently US$82.63/EUR74.34/GBP56.51 at the time of posting this
listing) including postage and handling to anywhere in the world.
If you are
interested in purchasing this old master print, please contact me
(oz_jim@printsandprinciples.com) and I will send you a PayPal invoice to make
the payment easy.
This print has been sold
Allaert van Everdingen (1621–75)
“Two Boats Approaching
a Hut”, c. 1650 (lifetime impression), from the series, “Four landscapes”
(H.30-33).
Etching on fine
laid paper
Size: (sheet)
10.2 x 12.9 cm
State iii (of
iii). Bartsch II.177.32; Hollstein 32.III
The British
Museum offers the following description of this print: “Two men mooring boats
on a river bank; next to a group of houses at centre; a man on a horse-drawn
carriage on the country road at left; a castle on a hill on the far bank at
right; from a series of four plates.” (http://www.britishmuseum.org/research/collection_online/collection_object_details.aspx?objectId=1632008&partId=1&searchText=Allaert+van+Everdingen&page=2)
Condition:
strong, well-inked lifetime impression with no wear to the plate with margins
around the borderline, but trimmed on or before plate marks and in excellent
condition. There are remnants of mounting hinges and notes from previous
collectors (verso).
I am selling
this rare, lifetime impression capturing the spirit of the Nordic landscape for
AU$225 in total (currently US$161.66/EUR145.44/GBP110.56 at the time of posting
this listing) including postage and handling to anywhere in the world.
If you are
interested in purchasing this old master print, please contact me
(oz_jim@printsandprinciples.com) and I will send you a PayPal invoice to make
the payment easy.
This print has been sold
When I was
looking at these two landscapes, the thought occurred to me about the
difference between Everdingen’s experience of village life in the mountains of
Sweden and Norway and my very limited experience of small towns in the
mountains of Australia. One of the big differences that I perceive is the site
where folk in the mountains of Europe tend to situate their houses compared to
those living in the mountains of Australia. If I may propose a broad
generalisation (that may or may not be true and I am interested in readers’
comments): the Europeans choose to build houses in the mountain valleys with
many streams, trees and boulders, whereas the Australians choose the mountain
tops so that they can see everything—except nearby streams, trees and boulders.
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