Gustave Greux (aka Gustave Marie Greux) (1838–1919)
“Fleurs de la Prairie” [Flowers from the Prairie], 1882, published in “L'Art,
revue hebdomadaire illustrée”, 1882, printed by François Liénard.
Etching on fine
laid paper
Size: (sheet)
32 x 24.8 cm; (plate) 27.7 x 21.5 cm; (image) 21.5 x 17.2 cm
Inscribed above
image (centre) “Salon de 1882”; below the image (left) “L'Art”; (centre)
“Gustave Greux, pinx. & sc. / FLEURS DE LA PRAIRIE.”; (right) F. Liénard
Imp. Paris.” IFF 27
The British
Museum offers the following description of this print: “Wildflowers, including
daisies and cornflowers”
(http://www.britishmuseum.org/research/collection_online/collection_object_details.aspx?objectId=3369975&partId=1&searchText=greux&page=1).
Condition:
richly inked and well-printed impression on fine laid paper with margins and in
excellent condition.
I am selling
this original etching by Greux for a total cost of AU$68 (currently US$49.52/EUR43.88/GBP34.31
at the time of this listing) including postage and handling to anywhere in the
world.
If you are
interested in purchasing this etching executed by a major artist of the Salons
between 1859 and 1882, please contact me at oz_jim@printsandprinciples.com and
I will email you a PayPal invoice.
This print has been sold
Although one
should be hesitant to propose that images created by men are different to
images created by women, nevertheless, I suspect that the idea is true.
Moreover, this print captures the way men look at flowers.
To explain what
I mean I must first venture out on a metaphorical limb and suggest that men are
conditioned to see what is in directly in front of them without really seeing a
wider field of view. This leaning to a tunnel-like vision of the world is
helpful when hunting or overtaking every car in front of them, but this narrow
vision is unhelpful when trying to find things in the fridge—and I can speak
with experience about this difficulty.
Women, on the
other hand, have a broader field of view in terms of what is around them. This
leaning to peripheral vision is helpful for seeing what the children are doing
and to avoid side-on collisions with other cars. (Interestingly, statistics
from “somewhere” show that men have more side-on collisions than women and
women have more head-on collisions than men.)
The reason that
I related the above “findings” is that this image of flowers matches a man’s
vision of such an arrangement. For instance, note how the focus is “tunnelled”
to the very centre of the bunch while the peripheral edges are rendered out of
focus. Note also that the central area is not all in focus. Greux narrows down
the point of focus to a very special point of interest: a sharp
lanceolate-shaped leaf with all its inherent manly associations.
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