Jean Louis Charbonnel (1854–85)
“La Cigale”, 1873,
printed by Auguste Delâtre (1822–1907)
Etching on laid
paper
Size: (sheet)
27.5 x 19 cm; (plate) 15.6 x 11.1 cm
Note that Idburyprints
offers a fine description of this etching and where it was published:
Condition:
superb impression with generous margins in near pristine condition (there are a
few marks verso).
I am selling
this very desirable etching of a figure in an Ingres-like pose for AU$93 in
total (currently US$69.64/EUR61.83/GBP52.76 at the time of posting this print)
including postage and handling to anywhere in the world.
If you are
interested in purchasing this etching, please contact me
(oz_jim@printsandprinciples.com) and I will send you a PayPal invoice to make
the payment easy.
This print has been sold
The subject of
this print fascinates me. My interest is not so much about the nude lady with her
broken lute, nor am I particularly intrigued by the circumstances that have
arisen leading to her predicament of being unclothed with a broken lute looking
at a distant house with smoke coming out of its chimney. Instead, I am baffled
about the title of the etching: “La Cigale” (the cricket/cicada/grasshopper).
All I can think of, in terms of proposing a meaning, is the fable of La
Fontaine, "La Cigale et la Fourmi” (the cricket and the ant). At this
point I struggle with finding a meaningful connection, but, as an attempt, I
guess the moral overtone is that this lady has been neglecting her household duties
and has been ostracised by the town folk. I realise that I am hopelessly out of
my depth in reading literary meanings into artworks and so any help is welcome
as my concocted meaning is so dreadful.
________________________
I had a stroke of good fortune today in
that I received information about this print from a major blog on prints—“The Linosaurus”
(http://gerrie-thefriendlyghost.blogspot.com/):
“This is probably Chloe watching
lovesick at Daphnis' cottage (last chapter of the play). Depicted the pastoral
way (nude)
The broken lute to indicate she stopped
singing (making music). Plato tells in his ‘Pheadrus’ of a mythe, cicades being
the remnants of a first generation of humans that learned to sing and were so
engaged they stopped eating and drinking totally devoted to art. (The ancients
believed cicadas did not eat). Cicadas acted as go-betweens between humans and
the gods.
The message or sub-title being: although
(wo)man feeling low, the crickets keep tsjirping, also meaning the arts will
always ‘survive’.
Something like this, along these
lines......”
My sincere thanks to “The Linosaurus”
blog
No comments:
Post a Comment
Please let me know your thoughts, advice about inaccuracies (including typos) and additional information that you would like to add to any post.