Update: By chance I discovered that the name of the engraver of these prints is Cornelis
Galle I (1576–1650)
Exceptionally rare Italian (?) 17th
century (?) loosely bound book of 13 large engravings of saints from the hand of an unidentified
artist, arguably from the circle of Ludovico Mattioli (1662 –1747) (see Bartsch
1982, vol. 43, p 47: 13 [345]) and/or Pier Leone Ghezzi (1674 –1755) (see
Bartsch 1983, vol. 47, p. 444: 6 [302]), based solely on stylistic treatment.
Engravings on
laid paper (2.5 cm chain lines) bound with twine (but the twine binding has
deteriorated and the book is held together by only a thread).
Size: (leaf) 40
x 25.5 cm; (plate size with slight variations) 28.5 x 21.5 cm
Each plate is
lettered with the plate number, the name of the featured saint and two lines of
Latin. (There are no publication details and the name of the artist is not
given. This information is no doubt on the title page which has sadly been
removed.)
Condition:
crisp and well-printed impressions (most likely lifetime impressions based on
the quality of the prints). A single thread of the twine binding is keeping the
pages intact, but I envisage that this will break at any time. All the pages
are in good condition for the age of the prints (i.e. there is light dustiness, age-toning and handling
marks but there are no significant stains, holes, abrasions or foxing) except
for the page/plate 6 which has a horizontal tear of 4.5 cm that passes into the
lettered text of the image. I could/should reinforce this tear with archival tape
but I have decided to allow the next collector to choose if this is absolutely necessary.
(I am reluctant to add the tape as, for me, the bright white of the archival
tape would detract from the mellow beauty of the aged paper.)
I am selling
this loosely bound book of 13 large etchings of saint for a total cost of AU$613
(currently US$462.24/EUR426.40/GBP367.13 at the time of this listing) including
postage and handling to anywhere in the world.
If you are
interested in purchasing this rare set of early engravings, please contact me
(oz_jim@printsandprinciples.com) and I will send you a PayPal invoice to make
the payment easy.
This book of prints has been sold
Sadly, time—and
no doubt lack of care by a previous collector—has removed the title page to
this book, consequently, the name of the engraver and publication details are
not available. This has left me with the problem of doing my best to find
connections between the stylistic treatment of the 13 portrayed saints and artists who work in a similar
manner. to establish the name of the artist who executed these marvellous prints.
Of course there
are stylistic “sign-posts” all over the prints that help in this mission, but it
is still difficult and the attribution that I made earlier may well be far off-target.
For example, all the saints
are shown set against a grey background created by the effect of long and
unbroken horizontal lines. Although many artists use such horizontal strokes
for backgrounds ranging from 15th century printmakers like Marcantonio
Raimondi (c.1480 – c.1534) through to the 18th century and later
artists like Francisco Goya (1746 – 1828) this visual device must be seen in
relation to other stylistic devices, such as the style of the saints haloes and
the manner of rendering forms in terms of light and shade.
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