Lambrecht Hopfer (aka Lambert Hopfer) (active c.1525–50)
“The
Flagellation”, c.1530 (BM c.1520–50), after Albrecht Dürer (1471–1528) engraving from the “Small Passion”
series
Etching on fine
laid paper printed in a brown-black ink with small margins and stamped (verso)
with the collector’s mark “Graphischen Sammlung Muchen’ (Lugt 1614)
Size: (sheet) 15
x 9.8 cm; (plate) 13.9 x 8.8 cm
Incised with
the Funck number “197” (certifying that this was from the early 17th
century David Funck, Nuremberg, edition) at the lower left and with the artist’s
monogram on a tablet at the upper right corner.
The British
Museum offers the following description of this print:
“The
Flagellation; after Dürer (Meder 8); Christ tied to the column at centre,
facing left; two henchmen armed with a scourge and bundle of twigs at left and
r; from a series of fifteen etchings after Dürer's Small Passion.” (http://www.britishmuseum.org/research/collection_online/collection_object_details.aspx?objectId=1521076&partId=1&searchText=Hopfer&page=3)
Hollstein 7.I (Hollstein,
F W H, “German engravings, etchings and woodcuts c.1400-1700”, Amsterdam, 1954);
Bartsch VIII.527.7 (Bartsch, Adam, “Le Peintre graveur”, 21 vols, Vienna, 1803)
Condition: a
superb, richly inked and crisp impression with small margins. This is a print of
the utmost rarity and in near faultless condition (i.e. there are no tears,
holes, abrasions, stains, folds or foxing). There is a collector’s stamp “Graphischen
Sammlung Muchen’ (Lugt 1614) and other collectors’ notations (verso).
I am selling
this remarkable print from the son of the acclaimed first printmaker to create
an etching (Daniel Hopfer), for a total cost of AU$676 (currently US$501.48/EUR472.05/GBP403.57
at the time of this listing) including postage and handling to anywhere in the
world.
If you wish to
purchase this stunningly beautiful and rare print from the Renaissance era, please
contact me (oz_jim@printsandprinciples.com) and I will send you a PayPal
invoice to make the payment easy.
This print has been sold
Seldom do rare
prints like this one come onto the market.
Even rarer is
to find an impression that is virtually faultless, in terms having no stains,
abrasions, tears, losses, worm holes, folds, or foxing. Even more outstanding
is that the line work in this impression is crisp with very little wear. This crispness
to the line work is surprising when considering that this print is from an iron
plate and that iron plates rust and this corrosion will feature in later
prints.
Beyond the
superbly fresh condition of this impression, what makes the print rare from a
historical standpoint is that it is one of the first etchings ever made—mindful
that Lambrecht is the son of Daniel Hopfer who history accredits with having
made the first iron etching. What is also fascinating is that it reproduces a
fellow contemporary printmaker’s engraving from the time: the grand master, Albrecht
Dürer.
No comments:
Post a Comment
Please let me know your thoughts, advice about inaccuracies (including typos) and additional information that you would like to add to any post.