Jacob Kallenberg (aka Monogrammist, Master IK)
(c.1500–65)
(double-sided sheet of woodcut prints) “Standard
Bearers with the Coat of Arms of Salzburg (recto) and Esslingen (verso)”, 1545,
after Jacob Köbel (c.1462–1533), published in “Wappen des heiligen Roemischen
Reich”, Frankfurt.
Woodcuts (recto
and verso) on fine laid paper
Size: (sheet)
24.3 x 15.1 cm
Condition: richly
inked impressions in good condition, but with remnants of past mounting.
I am selling
these original woodcuts from the 16th century for a total cost of AU$160
(currently US$116.78/EUR110.98/GBP95.04 at the time of this listing) including
postage and handling to anywhere in the world.
If you are
interested in purchasing this superb sheet of double-sided prints, please contact me
(oz_jim@printsandprinciples.com) and I will send you a PayPal invoice to make
the payment easy.
These prints have been sold
Jacob
Kallenberg (aka Monogrammist, Master IK) (c.1500–65)
(double-sided sheet of woodcut prints) “Standard Bearers with the Coat of Arms of Friedrichshafen (formerly
Buchhorn) (recto) and Seengen (verso)”, 1545, after Jacob Köbel (c.1462–1533),
published in “Wappen des heiligen Roemischen Reich”, Frankfurt.
Woodcuts (recto
and verso) on fine laid paper
Size: (sheet) 21.5
x 14.3 cm
Condition:
richly inked impressions in good condition, but with some retouching of the
borderline (?).
I am selling these original woodcuts from the 16th century for a total cost of AU$160 (currently US$116.78/EUR110.98/GBP95.04 at the time of this listing) including postage and handling to anywhere in the world.
If you are interested in purchasing this superb sheet of double-sided prints, please contact me (oz_jim@printsandprinciples.com) and I will send you a PayPal invoice to make the payment easy.
These prints have been sold
Artists become well-known
for lots of different reasons and these reasons are not always strictly related
to their artworks. With regard to Jacob Köbel, whose designs Jacob Kallenberg (aka
Master IK) crafted into these woodcut prints, Köbel is fondly remembered by statisticians
of foot measurements for his print “Determination of mean foot length”, published
in “Geometrei” (1575, Frankfurt) and that is now featured on the cover of the 3rd
edition of Siegmund Brandt’s “Data Analysis: Statistical and Computational
Methods for Scientists and Engineers” (1998).
In the 16th
century, however, the popularity of Kallenberg’s prints after Köbel’s designs
rested more on their images of flags than foot measurements and—somewhat
unnaturally—on the standard bearers themselves. Regarding my quip about the
wave of deep admiration for standard bearers, I wish to point out that one of
the commonly featured subjects in prints of standard bearers and soldiers
generally were lost women. For example, one of Urs Graf’s (c.1485–1527) most
celebrated prints, “Two Soldiers and a Woman with Death in a Tree” (1525),
features a soldier-smitten woman tempting a pair of soldiers with her womanly charms.
Another of Graf’s well-known prints of a similar genre is “Soldier with a Halberd
and Prostitute” (1516).
From a personal
viewpoint, these images have the breath of life and vigour in them. I love the
way that the standards/flags billow around the figures holding them. Adding
another dimension to the flutter of fabric is the low angle of view—a worm’s
eye view (if worms had eyes)—that presents the figures as monumental specimens
of manliness.
No comments:
Post a Comment
Please let me know your thoughts, advice about inaccuracies (including typos) and additional information that you would like to add to any post.