Daniel Hopfer (1471–1536)
“Ornament with
Acanthus” (Une plante d’acchante), c.1505–36, from the C. Wilhelm Silberberg (1802)
edition
Etching on heavy
wove paper (C. Wilhelm Silberberg [1802] edition) with margins laid on a
conservator’s support sheet
Size: (sheet)
29.1 x 20.4 cm; (plate) 23.5 x 15.8 cm; (image borderline) 22.5 x 15.1 cm
Signed with
monogram at lower centre: “D H”
TIB 17.93 (496)
(Walter L Strauss & Robert A Koch [Eds.] 1981, “The Illustrated Bartsch”,
vol. 17, p. 168); Bartsch VIII.496.93; Hollstein 104.I; Funck 137; Eyssen 97
The British
Museum offers the following description of this print:
“Ornament panel
with thistle motifs; against cross-hatched background; two large birds in upper
corners, another, smaller bird at lower left. Etching” (http://www.britishmuseum.org/research/collection_online/collection_object_details.aspx?objectId=1520829&partId=1&searchText=hopfer&page=2)
Condition:
richly inked, crisp impression with generous margins in excellent
condition, laid onto a conservator’s sheet of fine washi paper.
I am selling
this iron etching by the legendary Daniel Hopfer—the first artist to use
etching for prints on paper—for the total cost of AU$184 (currently US$138.68/EUR127.42/GBP108.16
at the time of posting this listing) including postage and handling to anywhere
in the world.
If you are
interested in purchasing this remarkably complex and very beautiful design from
the Renaissance era, please contact me (oz_jim@printsandprinciples.com) and I
will send you a PayPal invoice to make the payment easy.
This print has been sold
When I first
saw the British Museum’s description of this print and read that the interwoven
plant in the design was a thistle I was happy to have the plant identified.
After all European plants are often different to those found in Australia.
After consulting the catalogue raisonné volume on Hopfer in “The Illustrated
Bartsch”, however, my joy dissipated as the title in this august reference
showed that it was an acanthus. Mmm … this was a problem for me as my conception of
the shape of an acanthus leaf was the rather broad leaf plant gracing
Corinthian capitals on columns. After a quick Googling, I discovered the Acanthus
Montanus (aka Bear's Breech or Mountain Thistle) that has the same fine shaped
leaf as shown in this print. Conundrum solved!
Regarding the
reprinting of Hopfer’s plates—mindful that this impression is a late one from the
19th century—TIB offers the following information:
“Many of the
etched iron plates of the Hopfers survived their lifetimes and were reprinted
much later. In the 17th century a Nuremberg publisher named David
Funck numbered 230 of these plates and issued a volume entitled ‘Opera
Hopferiana.’ In 1802 a publisher named C. Wilhelm Silberberg in Frankfurt-am-Main
reissued 92 plates with the Funck numbers in a volume with he also entitled
‘Opera Hopferiana.’ The plates were printed on unnumbered pages of a heavy wove
paper.” (Robert A Koch 1981, “Editor’s Note” in “The Illustrated Bartsch” vol.
17, [n.p. 7])
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