Adolph
Schrödter (aka Adolph Schroedter) (1805–75)
“Don Quixote's Adventure with the Herd of Sheep” (“Don Quixote's Abentheuer
mit der Schaafheerde [sic]”), 1839, from Miguel
de Cervantes’ “Don Quixote De La Mancha” (Part 1, Chapter 18), published in
Düsseldorf by Julius Buddeus (fl.1830s–1852),
printed by Schulgen-Bettendorf (1822–1943)
Etching on chine collé with full margins and with the
publisher’s octagonal blind-stamp at the lower-right corner: “Julius Buddeus
Editeur Düsseldorf” (not in Lugt).
Size: (sheet) 22.9 x 30.8 cm; (plate) 19 x 21 cm; (chine collé)
17.8 x 20 cm
Dated on plate; lettered with artist's name and publication
detail.
The British Museum offers the following description of this print:
“Ornamental scrollwork consisting of thorny tendrils; in the
centre, Don Quijote on horseback with a lance; shepherd whose dog is biting
into the horse's tail to left; flock of sheep to right.” (http://www.britishmuseum.org/research/collection_online/collection_object_details.aspx?objectId=1448230&partId=1&searchText=Schrodter&page=1)
For a description and analysis of this scene see http://www.litcharts.com/lit/don-quixote/part-1-chapter-18
Condition: crisp and beautifully printed impression with generous
margins in excellent condition apart from minor age toning at the edges of the
sheet.
I am selling this superb example of book illustration for the
total cost of AU$93 (currently US$71.34/EUR62.53/GBP55.02 at the time of
posting this listing) including postage and handling to anywhere in the world.
If you are interested in purchasing this marvellous etching,
please contact me (oz_jim@printsandprinciples.com) and I will send you a PayPal
invoice to make the payment easy.
This print has been sold
Some book illustrations portray scenes with very little creative
invention, but this image showing Don Quixote attacking a herd of sheep in the mistaken
belief that they are enemy soldiers is far from prosaic; it is a subtle and small
masterpiece of illustration art.
My enthusiasm for this print is not just that it captures the
essence of Don Quixote’s delusion that the cloud of swirling dust kicked up by
the sheep is in fact the dust from armies of foes needing to be vanquished, but
that it excites an almost full emotional response from me. For example, I sense
Don Quixote’s experience of riding into an explosive vortex of energy where he
doesn’t see the individual sheep but rather spiralling chaos of an imagined
enemy. Going further, the motif of the thistle vine with all its sharp thorns entwined
around Don Quixote excites feelings of prickliness, violence and even—but here
I may be pushing credibility—the choking smell and taste of churned up dust.
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