Wendel
Dietterlin (the Elder) (c.1550–99)
“Plate 197: Gothic Portal”, 1598, from his treatise on
architectural ornament, “Architectura von Ausztheilung Symmetria und Proportion
der fünff Seulen”, published Nurnberg.
Etching (from an iron plate) on fine laid paper (with watermark) trimmed
within the platemark.
(sheet) 24.8 x 18.2 cm
Andresen 16.197; Hollstein 17 III, IIIa or IV (of IV) with the
numbering.
Condition: marvellously crisp and well-inked impression most
likely a lifetime impression trimmed within the platemark. Apart from light
age-toning, the sheet is in excellent condition (i.e. there are no tears, stains,
holes, abrasions, folds or foxing).
I am selling this magnificent and rare original etching by
Dietterlin for AU$162 (currently US$128.15/EUR110.03/GBP98.69 at the time of
this listing) including postage and handling to anywhere in the world.
If you are interested in purchasing this design for the entrance
to a church—a virtual eruption of ornament—please contact me
(oz_jim@printsandprinciples.com) and I will send you a PayPal invoice to make
the payment easy.
This print has been sold
Although most designers are likely to have heard of Wendel
Dietterlin’s astounding book of designs, “Architectura” (1598), Dietterlin’s fame
does not rest with his book being valued as meaningful textbook or pattern-book
of styles. The designs in the book are a little too bizarre to be helpful in
this way. Instead, Dietterlin’s fame rests on the extravagant ornament that he
adds to the five classical orders of Architecture: Tuscan, Dorian, Ionian,
Corinthian, and Composite.
This design for a church portico, for example, features in the
section of the book dedicated to designs underpinned by the principles of the
Composite order. No doubt an argument could be made to justify how this fabulous
concoction of late Gothic fantasy embodies the principles of Composite order,
but there is no need. The design is marvellous as an image of ornamental excess
without any need for justification or explanation.
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