Albert
Flamen (aka Albert Flamand; Albert Flaman; Aellert Flamen; Bartolet) (1620–92)
“View of Fauxbourg St. Leonard” (aka “Veue du Fauxbourg St.
Leonard. A Corbeil”), c1660, from the series, “Different Views in the Vicinity
of Paris (aka “Veue de diuerses paisage au naturel d’alentour de Paris.”)
Etching on laid paper trimmed to the image borderline (with the
title and publication details removed) and slightly within the borderline on
the left side.
Size: (sheet) 8.7 x 16.8 cm
State ii (of ii)
TIB (1986) 6 (Commentary) .539 S2 (p. 404); Robert-Dumesnil (1835)
.503/.539 (Note: TIB has a discrepancy in the concordance between the R-D number
for this print shown on page 402 [vol. 6: Commentary] and R-D number shown on
page 458).
See also the description of this print at Fine Arts Museums of San
Francisco: https://art.famsf.org/albert-flamen/view-fauxbourg-st-leonard-different-views-vicinity-paris-19633031477
For excellent information about Flamen and the prints that he made
in this series, see Corpus Artistique Étampois: http://www.corpusetampois.com/cae-17-flamen1664longuetoise.html
Condition: crisp and richly inked impression, trimmed to image
borderline—slightly within the borderline on the left side—and laid onto a
conservator’s support sheet of washi paper.
I am selling this rare etching by Flamen for AU$128 (currently
US$101.61/EUR85.99/GBP78.00 at the time of this listing) including postage and
handling to anywhere in the world.
If you are interested in purchasing this superb 17th
century landscape capturing a grand vision with breadth and space, please
contact me (oz_jim@printsandprinciples.com) and I will send you a PayPal
invoice to make the payment easy.
This print has been sold
Not very much is known about Flamen and even where he was born and
the dates of his birth and death are based on conjecture rather than irrefutable
documentary evidence.
For instance, the famous printmaker and publisher, Pierre-François
Basan (1723–97), was the first to propose that Flamen was born in Bruges. Sadly
his proposal was not backed up with any evidence apart from Flamen’s surname
seeming to be “right” for someone living in Bruges. With similar ease, Basan
determined that the date of Flamen’s birth would be 1564.
Based on the circumstantial information including the dates of
Flamen’s activity as a printmaker— interestingly, Flamen did not make prints
after 1669—academics now believe that 1620 is more likely to be his birthdate and
his death is now proposed to be 1692.
Even these details are a tad hazy as the main source of biographical
details about Flamen is based upon GK Nagler’s proposition in “Kunstler-Lexicon”
(see vol. 5, p. 25) that the artist responsible is “a certain A. Flamand, a
draughtsman and painter of landscapes who worked for the manufactury [sic] of
gobelns in c.1650 may be identical with Albert Flamen” (TIB, vol. 6
[Commentary], p. 209).
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