Virgil Solis (1514–1562)
“David and
Goliath”, 1560, published by Sigmund
Feierabend (1528–1590) and printed by Johann
Rasch (fl.1556–1562) and David
Zöpfel (aka David Zephelius)
(fl.c.1555–1563) as an illustration to the biblical story of David "defeating"/killing Goliath (1 Samuel 17), from the series of 220 woodcut illustrations for Veit Dietrich’s (aka Vitus Theodorus;
Vitus Diterichus) (1506–1549) “Summaria vber die gantze Biblia: das Alte vnd
Newe Testament …” (Summary of the whole of Bible: the Old and New Testament
…).
(For more details of this publication see: http://www.pitts.emory.edu/dia/image_details.cfm?ID=15654)
Note: regarding the publication in which this print features, the
curator of the British Museum advises: “The first edition was published in
1560. [This print with its strapwork frame features in] the second, enlarged edition, with 74 new images and woodcut
borders from the 1561 Bible. The New Testament part is wrongly dated 1552 on
the title-page.” (http://www.britishmuseum.org/research/collection_online/collection_object_details.aspx?objectId=3139747&partId=1&searchText=virgil+solis+david&page=1)
Woodcut on
early laid paper trimmed to the platemark with letterpress German text verso
(as published).
Size: (sheet)
12.2 x 15.5 cm
Signed in the
block with the artist’s monogram, “VS”, within the centre image at lower left.
TIB 19 (Part 1)
(9) 1.50 (316) (Jane S Peters & Walter L Strauss [Eds.] 1987, “The
Illustrated Bartsch: German Masters of the Sixteenth Century”, vol. 19 [Part
1], p. 308); Paisey 2002 363 (David Paisey 2002, “Catalogue of German printed
books to 1900”, London, BMP); Hollstein 14.1 (device); Hollstein 19
Note that the
strapwork borderline shown in this impression is the same as that used in
TIB 1.39 (316) but is different to TIB
19 (Part 1) (9) 1.50 (316). I believe that the choice of woodcut frame was not
consistent in each edition.
Condition: near
faultless early impression in near pristine condition (i.e. there are no tears,
holes, folds, abrasions, stains or foxing), trimmed to the strapwork
borderline
I am selling
this superb woodcut created in 1560 for a total cost
of AU$128 (currently US$97.99/EUR83.38/GBP73.56 at the time of this listing)
including postage and handling to anywhere in the world.
If you are
interested in purchasing this small but powerful print, please contact me (oz_jim@printsandprinciples.com)
and I will send you a PayPal invoice to make the payment easy.
This print has been sold
Strapwork
borders, such as the one framing this scene of David preparing his sling shot
with a rock that is only slightly smaller than the size of his head, are
interesting developmentst to the art of book illustration in the late 16th century.
In one sense the decorative borders give gravitas to the meanings expressed by
the images that they frame (i.e. the scene is made to appear “important”). In another sense the ornamental borders separate the portrayed
scene from the written descriptions so that an image may be “read” in a
slightly independent and self-contained way from the accompanying text.
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