(after) David Teniers the
Younger (aka David Teniers II; Tennier) (1610–1690)
“Two Farmers by the Hearth” (Rijksmuseum title), 1626–90, from the
four-plate series, “Farmers” (aka “Peasants”), designed and published by David
Teniers the Younger with privilege (as inscribed on the plate).
Etching on fine laid paper trimmed along the platemark and
re-margined on a support sheet.
Size: (support-sheet) 25.6 x 21.5 cm; (sheet) 7.1 x 6.1 cm; (image
borderline) 6.3 x 5.8 cm
Inscribed on plate within the image borderline at lower centre “DT,
in. et excud. cum priuileg.”
State ii (of ii) (with the additional cross-hatching on the
fireplace) See the two different states at the Rijksmuseum: (state i) http://hdl.handle.net/10934/RM0001.COLLECT.184926
; (state ii) http://hdl.handle.net/10934/RM0001.COLLECT.184927
Hollstein Dutch 21-2 (2) (F W H Hollstein 1949, “Dutch and Flemish
etchings, engravings and woodcuts c.1450–1700”, Amsterdam); Wurzbach 1906-11
II.697.3 (Alfred von Wurzbach 1906, “Niederländisches Künstler-Lexikon”, 3
vols, Vienna-Leipzig, Verlag von Halm und Goldmann); Dutuit 1881-5 VI.421.3 (E
Dutuit 1805, “Manuel de l'Amateur d'Estampes”, 4 vols, Paris)
The British Museum offers the following description of this print:
“Two men in front of a fire-place to the left, the left one
standing and smoking, the right man seated and smoking; from a series of four
prints showing peasants after David Teniers the Younger” (http://www.britishmuseum.org/research/collection_online/collection_object_details.aspx?objectId=1670195&partId=1&searchText=Two+peasants&people=105658&page=1)
Condition: slightly silvery impression trimmed along the platemark
and re-margined on a support sheet. The sheet is in a very good condition (i.e.
there are no tears, holes, folds, abrasions, but there is the faintest trace of
residue colouring from once being glued at the corners).
I am selling this early, rare and historically important etching
showing Flemish peasant life in 17th century for AU$290 (currently
US$233.83/EUR188.89/GBP166.79 at the time of posting this listing). Postage for
this print is extra and will be the actual/true cost of shipping.
If you are interested in acquiring this early etching that helped
frame Teniers’ reputation in the development of the genre of tavern and other
genre scenes, please contact me (oz_jim@printsandprinciples.com) and I will
send you a PayPal invoice to make the payment easy.
This print has been sold
Once one starts looking at Dutch and Flemish tavern scenes from
the 17th century for which David Teniers is famous, a whole new
world of social commentary opens revealing how peasants at the time lived. It’s
a fascinating field of images to become involved with … but I have a warning:
one has to like squat chaps with very square jaws!
This print is a good start for examining the lives of the rural
poor but happy folk. For example note the extra-long feather on the hat of the
seated chap lighting his pipe. My understanding of what this feather means—or
could mean—is that the seated man is a bit of a rakish lad as such a very long
feather fits with a certain class of man with a devil-may-care attitude. In
fact such a feather is the hallmark of the comic stage character of the time,
Peechelhaering, that Gerdien Wuestman (2017) in “Rembrandt and the Dutch Golden
Age” (exh. cat. AGNSW) advises was “known for his lack of moderation” (p. 126).
I wonder if the shortfall of fingers on his left hand (he only has three) is an
outcome of his leaning to take risks?
Even looking at the fireplace is interesting. This one is so high
that that there is no handy-to-reach mantelpiece above the fireplace to place odds
and sods. Perhaps the height of this fireplace means that the scene is set in a
kitchen as I recall that kitchen hearths are usually high to accommodate the cook’s
pots and pans. As for the impressively dense cloud of smoke in the fireplace,
clearly this pair of men have not been attentive to proper chimney maintenance
or the fuel that they are using needs a bit more flame.
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