Karel
Dujardin (aka Carel Dujardin; Carel du Jardin; Karel Du Jardin;
Bokkebaart) (1626 –78)
“Mule with a Bell” (“Le Mulet aux Clochettes”) (TIB title); “Mule
with bell on halter and two lying donkeys” (Rijksmuseum title), 1653
Size: (sheet) 20.7 x 17.4 cm; (plate) 20.3 x 16.7 cm; (outer
borderline) 19.8 x 16.3 cm;
(image borderline) 19.5 x 16.3 cm
Etching on laid paper with small margins backed on a support
sheet.
Inscribed on plate below the image borderline: (left of centre)
"K. DV. IARDIN.1653 fe"; (right corner) “29”.
State ii (of iii)
Bartsch 1.182.29; Hollstein 29.II
The British Museum offers the following description of this print
in its second state:
“The hinny with the little bell. Landscape with a mule standing at
centre, in profile to right, wearing a halter from which two bells hang, two
other asses resting in right background, trees enclosed within a straw fence
beyond; second state with number. 1653” (http://www.britishmuseum.org/research/collection_online/collection_object_details.aspx?objectId=1617819&partId=1&searchText=dujardin+bell&page=1)
See also the Rijksmuseum’s description of their second state impression:
http://hdl.handle.net/10934/RM0001.COLLECT.38342
Condition: crisp and well-inked impression showing little or no
wear to the plate suggesting that this is an early impression. (Note: compare
this strong impression with the copy held by the BM [S.878]). The sheet is in near
faultless condition for its age (i.e. there are no tears, folds, holes, abrasions,
stains or foxing). The sheet is backed with a support sheet of archival (millennium
quality) washi paper.
I am selling this exceptionally well-preserved and superb
impression from an unworn plate by one of the most famous of the Golden Age
Dutch artists for the total cost of AU$246 (currently US$184.68/EUR156.70/GBP136.92
at the time of posting this print) including postage and handling to anywhere
in the world.
If you are interested in purchasing this remarkable print
showcasing Dujardin’s skill in representing light, space and subtle differences
of texture, please contact me (oz_jim@printsandprinciples.com) and I will send
you a PayPal invoice to make the payment easy.
This print has been sold
Dujardin is famous for his “warts and all” representations of
rural life—sheep and cows pissing and pooping accompanied by flies—he is also
remembered as a true master of suggesting light, space and mimetic treatments
of a full range of textures. For example, note how Dujardin describes the
contours of the mule in the foreground (actually a hinny rather than a mule)
using only line while simultaneously expressing the surface textures of the
mule’s hair. Note also how Dujardin’s treatment of the foreground mule is quite
different from his rendering of the mules further back and how well he suggests
the spatial distance separating them. Such skill is rare and is the hallmark of
great artist.
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