Abraham Blooteling (aka Abraham
Bloteling; Abraham Blotelingh; Abraham Blootelingh) (1640–1690) and Pieter
Stevens van Gunst (aka Pieter van Gunst)
(1658/ 59–c1731)
“Abdomen Posterior Wall with House Fly”,
1685, after the drawing in the Ecole de Médicine, Paris, by Gerard de
Lairesse (1640/41–1711) as plate 52 in Govard Bidloo’s (1649–1713)
famous anatomical atlas, “Anatomia humani corporis / Ontleding des menschelyken
lichaams", first published by
the widow (de Weduwe van Joannes van Someren) (fl. after 1679) of Johan
van Someren (1622–1676) in 1685. This is impression
is from the 1734 edition published by Jacob van Poolsum (1701–1762) in Utrecht.
Etching and engraving on cream laid
paper (2.5 cm chain-lines) with margins as published.
Size: (sheet) 50.4 x 34.6 cm; (plate)
47.5 x 32.1 cm
Numbered on plate at upper right corner:
“T. 52” and indexed with letters from “A” to “P”.
WorthPoint offers the following
description of this print:
“Large house fly shown on the specimen.
Abdomen, posterior wall, in situ. Viscera removed to show diaphragm, crus of
diaphragm around divided aorta and esophagus [sic]. Vertebrae and psoas muscle
shown.
The splendid anatomical work of Bidloo
is considered one of the most beautiful ones ever printed. It became famous
because of the very elegant and elaborate engraved tables after drawings by
Gerard de Lairesse, carried out by Abraham Blooteling and Pieter Stevens van
Gunst.”
Condition: faultless, crisp and
well-printed impression with age-toning and minor marks appropriate to the age
of the print otherwise it is in near perfect condition.
(Note that this extraordinary engraving has
been listed previously, but I have washed it recently—with only water and no chemicals.
The print is now in a superb condition.)
I am selling this large masterpiece of anatomical
engraving with the trompe-l'œil hideous addition of a house fly to make the
image truly unforgettable, for AU$485 (currently US$360.97/EUR311.05/GBP27170 at
the time of posting this listing) including postage and handling to anywhere in
the world (but not, of course, any import duties/taxes imposed by some
countries).
If you are interested in purchasing this
extraordinary and technically magnificent print, please contact me
(oz_jim@printsandprinciples.com) and I will send you a PayPal invoice to make
the payment easy.
This masterpiece of anatomical engraving
has fascinated medical students for centuries. The reason is only in part because
it is a marvellous illustration of the posterior wall of the abdomen with the viscera
removed to show the diaphragm, divided aorta, oesophagus, vertebrae and psoas
muscle. More fascinating than the objective and highly detailed rendering of
the dissected cadaver, however, I suspect that what makes this print memorable
is the reflexive reaction prompted upon seeing a fly licking its lips while
perched on the surgical drape next to the dissection.
For me, the vacillating instinctive
response of revulsion and fascination is not just because of the presence of a
fly that may not have washed its feet, but also an uneasy feeling
with seeing the contrast between the portrayed mechanical sheen of the dissection pins and the soft
flesh that they hold in place. I want to avert my eyes but cannot. This really
is a masterpiece of “brutal Dutch realism”—to borrow Clifford S Ackley’s
description (1981) in the marvellous exhibition catalogue, “Printmaking in the
Age of Rembrandt” (Museum of Fine Arts, Boston, p. 278).
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