David Kandel (1520/25–1592/96)
“Rhinoceros”, 1550, after Albrecht
Dürer (1471–1528) (Meder
273), printed by Heinrich Petri (fl.c.1527–1577), published in a German edition of Sebastian Münster’s (1488–1552), “Cosmographia”,
published in German from 1550 to 1628.
Woodcut with letterpress text printed recto
and verso on fine laid paper (as published).
Size: (sheet) 30.7 x 19.9 cm; (Rhinoceros
recto) 10 x 14.6 cm; (woodcut verso) 2.8 x 5.7 cm
With the monogram of David Kandel
(entwined letters): “DK”
Hollstein 10p; Nagler 1858-79 II.1173.5;
Bartsch IX.394.17
See also the description of this print
held by the British Museum: http://www.britishmuseum.org/research/collection_online/collection_object_details.aspx?objectId=1536623&partId=1&searchText=david+Kandel&page=1
Note that the British Museum’s leaf featuring Kandel’s rhinoceros (see BM no. 1850,1014.988) is from the Latin edition of “Cosmographia” and features on the verso side a woodcut of “an elephant carrying various figures on a large saddle to right, by an anonymous printmaker”.
Condition: well-printed impression with
full margins as published in near pristine condition (i.e. there are no tears,
holes, folds, abrasions, stains or foxing).
I am selling this extremely rare woodcut
for AU$350 (currently US$248.63/EUR216.46/GBP191.49 at the time of this
listing) including postage and handling to
anywhere in the world (but not, of course, any import duties/taxes imposed by
some countries).
If you are interested in purchasing this
superb woodcut in museum quality condition after Dürer’s famous “Rhinoceros”,
please contact me (oz_jim@printsandprinciples.com) and I will send you a PayPal
invoice to make the payment easy.
This print has been sold
This woodcut by Kandel after Dürer’s
famous “Rhinoceros” (1514) was a plate in a series of 22 illustrations for the enlarged
edition of “Cosmographia”—the first publication offering descriptions of the
world and, interestingly, the first to feature a map of the Americas—initially published
in Basle in 1550 and republished another 15 times with German text with the
last printing in 1628. The Curator of the British Museum advises that this
enlarged edition “contained around 900 illustrations and 40 maps” (see BM no.
1850,1014.972).
For those who may not be familiar with Dürer’s
depiction of a rhinoceros—an Indian rhinoceros I understand—the design of the
woodcut is based on a sketch made by an unidentified artist when the portrayed
rhino was in Lisbon. Essentially, Dürer never had the chance to see this
particular animal as the rhino drowned when the ship that was transporting it from Lisbon
to Rome became shipwrecked. What Kandel/Dürer have depicted in their illustration
of a rhino is consequently a concoction of rhino details and understandably,
some are not quite right, such as an “extra” horn on the neck of the animal and
the marvellous patterning of spots on its hide.
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