Schelte Adamsz. Bolswert (aka Scheltius
à Bolswert) (c1586–1659)
“Moses and the Brazen Serpent”, c1612
(1590–1633), after the painting by Peter Paul Rubens (1577–1640) in the National Gallery, London, inv.no.NG59 (Rooses
112), published by Gillis Hendricx (aka Gilles Hendrikx) (fl.1640–1677) in
Antwerp.
Engraving on laid paper with small
margins backed with a support sheet.
Size: (sheet) 50.5 x 64.4 cm; (plate)
47.7 x 62.2 cm; (image borderline) 45.2 x 615 cm.
Lettered on plate below the image
borderline: (left) "Pet. Paul Rubbens pinxit. / S. à Bolswert sculpsit.”;
(centre) coat of arms at middle dividing Latin text "FECIT ERGO MOYSES
SERPENTEM ... SANABANTVR. Numeri 21 / NOBILI AC … ÆGIDIVS HENRICI."
Lifetime impression. State ii (of v) before
inscribed the publication detail, “Antwerpiae”, of the third state (see
Rijksmuseum’s impression: RP-P-OB-67.522) and the extended publication detail
of the fourth state “Gillis Hendricx excudit Antwerpiae” (see British Museum: R,3.13).
Hollstein Dutch 2-2(5); Corpus
Rubenianum III 24 (copy 20); Schneevoogt 1873 5.33
The Rijksmuseum offers the following
description of this print:
(Transl.) “Aaron and Moses are standing
on the right, next to the copper snake that is shaken on a stake. Men, women
and children who are bitten by poisonous snakes look at the copper snake to
stay alive. Below the show the title in Latin and a reference to the Bible text
in Num. 21.”
See also the British Museum’s
description:
“Moses and the brazen serpent; the high
priest standing at far right and shows the healing Serpent to the Israelites
who are being attacked by poisonous snakes; Moses stands next to him holding a
staff, addresses the people with rays projecting from his head; a naked man
wrestling painfully with a huge snake in foreground; others at left fighting
off the snakes which are raining down from a heavily clouded sky”
Condition: richly inked and well-printed
lifetime impression (based on the crisp quality of the line showing no sign of
wear to the printing plate and absence of the publication details of later
states), with small margins and laid upon an archival support sheet of
millennium quality washi paper. The sheet is in very good condition for its
considerable age, nevertheless, there are restored tears on the lower edge.
I am selling this large engraving from
the early 1600s illustrating an episode from the Bible where Moses erects a brass
sculpture of a snake and advises his followers to gaze upon it so that they
would not be harmed by the “fiery serpents” sent by God to bite those who were
grumbling about the hardships that they were facing during their exodus from
Egypt—my apologies if my version of the story is not quite correct—for AU$550
(currently US$395.83/EUR349.91/GBP303.35 at the time of posting this print)
including postage and handling to anywhere in the world (but not, of course,
any import duties/taxes imposed by some countries).
If you are interested in purchasing this
engraving exemplifying the Baroque period style of theatrical lighting,
swirling rhythms, grand scale and dramatic gestures, please contact me
(oz_jim@printsandprinciples.com) and I will send you a PayPal invoice to make
the payment easy.
This print has been sold
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