Joseph
Parrocel (1646–1704)
“Baptism of
Christ” (aka “Jesus Christ is baptized by Saint John”; “Baptême du Christ” [Louvre
title]), c1661, plate 4 from the series of forty plates, “Les Miracles de la
Vie de Notre Seigneur Jésus-Christ” (The Miracles of the Life of Our Lord Jesus
Christ).
Etching on laid
paper trimmed within the plate mark and backed with a support sheet.
Compare trimmed
losses with the impression held by the Musée du Louvre, Département des Arts
graphiques (RF 41551.9):
Size: (sheet) 15.4
x 16.4 cm.
Inscribed on
plate within the image borderline along the lower edge: (left) “I. Par. in. et
f.”; (right) “C.P.R.”
Inscribed on
plate below the image borderline: “IESVS CHRIST est baptize par Sainct Jean”.
State i (of ii)
lifetime impression of the etched state of the plate before it was later
engraved in the second state with significant changes to Christ’s position (see
discussion further below).
Robert-Dumesnil in the catalogue raisonné for this
set of prints advises that the first state impressions of “pure etching” are
“rare.”
Arguably, this
impression is very likely to have been printed by the artist’s own hand as the
inventory of his possession (dated 16 July, 1704) reveals that the artist
possessed in the cellar of his house a “press in oak wood” to print his plates.
Robert-Dumesnil
1838 44(4) (A P F Robert-Dumesnil 1838, Le Peintre-Graveur Français, vol. 3,
Paris, p. 266, cat. no. 44 [4]).
Robert-Dumesnil
in the catalogue raisonné (1838) offers the following description of this
print:
(Transl.) “The
Redeemer standing in the Jordan, in the middle of the print, receives the holy water
that John, kneeling to his left, pours on him, looking up to heaven where God
the Father and the Holy Spirit appear surrounded by a celestial legion. Two
great angels are prostrate at the bottom left.” (p. 266).
Interestingly, Christ’s
position shown in this impression is changed significantly in the second state as
described by Robert-Dumesnil (1838):
(Transl.) “Christ
inclines his head to the left, to the two prostrate angels.”
(See a second
state impression held by the Louvre:
Condition: a
superb, richly inked and well-printed impression of the utmost rarity, trimmed within
the platemark with losses to the sides and lower text lines and backed with a
support of archival (millennium quality) washi paper. The sheet is in excellent
condition (i.e. there are no tears, holes, folds, abrasions, stains or foxing).
I am selling
this first state etching before it was later “finished” with engraving, for
AU$220 in total (currently US$151.18/EUR136.97/GBP121.47 at the time of posting
this print) including postage and handling to anywhere in the world (but not,
of course, any import duties/taxes imposed by some countries).
If you are
interested in purchasing this exceptionally rare old master print, please
contact me (oz_jim@printsandprinciples.com) and I will send you a PayPal
invoice to make the payment easy.
This print has been sold
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