Charles-François Daubigny (aka
Charles Daubigny) (1817–1878)
“Les Vendanges”
(as titled on plate) (aka “The Harvest”; “Souvenir of the Morvan”; “The
Vintage”), 1865, published as plate 161 for the Société
des Aquafortistes’s album, described in Michel Melots’ (1981), “Graphic Art of
the Pre-Impressionists” as the ”ninth instalment, May, 1885, of the third year
of the Société” (p. 281). This impression was printed from the original plate in 1923 for the art
revue, “Byblis”, by the Chalcographie du Louvre and authenticated with the
Chalcographie’s dry stamp.
Etching and
drypoint on heavy cream-coloured wove paper, blind stamped (lower margin at
centre) by the Chalcographie du Louvre and backed with a support sheet.
Size: (sheet) 43
x 62 cm; (plate) 24 x 37 cm; (image borderline) 20 x 34 cm.
Numbered on
plate above the image borderline: (right corner) “161”.
Lettered on
plate below the image borderline: (left) “Daubigny sculp."; (centre) “LES
VENDANGES.”
State v (of v)
with the publisher’s name (Cadart & Luquet) of state iv erased.
Melot 117 (Michel
Melot 1981, "Graphic Art of the Pre-Impressionists”,
New York, Harry N. Abrams, p. 281, cat, D117 [5]).; Henriet 107; Delteil 117.
Melot (1981)
advises that this print relates to a painting by Daubigny exhibited in the
Salon of 1863 (p. 281; see https://www.musee-orsay.fr/fr/collections/oeuvres-commentees/peinture.html?no_cache=1&zoom=1&tx_damzoom_pi1%5BshowUid%5D=116521).
Interestingly, Daubigny must have executed another painting more closely based
on the composition of this etching a year after completing the etching as
Koller Auctions feature the oil painting, “Vendanges en Bourgogne”, 1866, as
lot 3211 in the auction of March 2013:
https://www.kollerauktionen.ch/en/309980-0002-----1164-DAUBIGNY_-CHARLES-FRAN_OIS-_1-1164_41394.html
1stdibs offer
a description of this print (from an earlier state):
Condition:
richly-inked and well-printed impression with generous margins, laid onto a
support sheet of archival (millennium quality) washi paper. There is inconsistency
in the colour of the paper with numerous pale patches that are visible in the
margins, otherwise the sheet is in good condition (i.e. there are no tears,
holes, folds, abrasions or foxing).
I am selling
this large etching by one of the primary artists of the Barbizon School, showing
resting oxen beside a cart laden with grape vats with vineyard workers picking
grapes in the distance and attending the crushing of the grapes on the cart, for
the total cost of AU$236 (currently US$162.46/EUR145.92/GBP123.94 at the time
of this listing) including postage and handling to anywhere in the world (but
not, of course, any import duties/taxes imposed by some countries).
If you are interested
in purchasing this exemplary etching of Daubigny's commitment to capturing the
traditions of rural life—here the different stages of harvesting grapes—before
the advent of changes brought by the industrial age, please contact me
(oz_jim@printsandprinciples.com) and I will send you a PayPal invoice to make
the payment easy.
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