Claude Lorrain (aka Claude Gellée; Claude; Le Lorrain;
Claudio di Lorena) (1600–1682)
“Time,
Apollo and the Seasons” (aka “Le Temps, Apollon et les Saisons”; “Apollo and
the Seasons Dancing to the Music of a Harp Played by Time”), 1662, from the 1816
edition of “200 Etchings” printed from the original plate by McCreery.
Etching
on wove paper trimmed with a narrow margin around the image borderline (as
published by McCreery) and backed with a
support sheet.
Size:
(sheet) 19.6 x 25.9 cm; (image borderline) 18.5 x 25.3 cm.
Inscribed
on plate below the image borderline in two lines of Italian: “Apollo in atto di
obedire al tempo. la Primauera a cominciare il ballo. Lestate non manca del suo
calore. Lautunno consuo licuore./ seguita. L inuerno tiene la suo staggione. Claudio
Gilleé inuen. Fec. Roma 1662 con licenza de super.”
State
vii (of vii)
Blum
1923 39 (André Blum 1923, “Les eaux-fortes de Claude Gellée dit Le Lorrain”,
Paris, pp. 27–28, cat. 39); Mannocci 43 (Lino Mannocci 1988, “The etchings of
Claude Lorrain”, London, Yale U.P., pp. 267–73, cat. 43, seventh state); Robert-Dumesnil
20 (APF Robert-Dumesnil 1835–71, “Le Peintre-Graveur français, ou Catalogue
Raisonné des Estampes Gravées par les Peintres et les Dessinateurs de l'École
Française: Ouvrage Faisant Suite au Peintre-Graveur de Bartsch”, Paris, vol.
1, p. 24, cat. 20); IFF 17th section 39 (Bibliothèque Nationale, Départment des
Estampes 1939–, “Inventaire du Fonds Français: Graveurs du XVIIe siècle”, Paris,Bibliothèque
Nationale de France, vol. 4, p. 555, cat. 39).
The
British Museum offers the following description of this print:
“Time,
Apollo and the Seasons; in a landscape with antique buildings in ruins, Time,
personified by an old winged man, is playing the harp while Apollo is dancing
with four women representing the Seasons.”
See
also the description of this print at the Rijksmuseum
and
the Detroit Institute of Arts:
(https://www.dia.org/art/collection/object/apollo-and-seasons-dancing-music-harp-played-time-45730).
Condition:
excellent well-printed impression trimmed close to the platemark (as published
by McCreery) and laid onto a support sheet of millennium quality washi paper.
The sheet has a hole in the foliage at left (not easily seen unless the sheet
is held to the light), otherwise the sheet is in very good condition for its
considerable age (i.e. there are no tears, folds, abrasions, stains, foxing or
signs of use).
I
am selling this original etching executed by the one of the most famous of the old masters, for a total cost of AU$412 (currently US$282.97/EUR253.98/GBP213.09
at the time of this listing) including postage and handling to anywhere in the
world.
If
you are interested in purchasing this important early landscape etching (in terms epitomising
the 17th century vision of landscape staffed with allegorical
figures and classical ruins), please contact me
(oz_jim@printsandprinciples.com) and I will send you a PayPal invoice to make
the payment easy.
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