Antonio Tempesta (1555?–1630)
“Civilis’ Troops Crossing the Maas River” (TIB’s title) (aka “Troops
of Julius Civilis cross the Maas” [Rijkesmuseum’s transl. title]), 1611, after the
design by Otto van Veen (1556–1629), plate 11 from the series of 37
plates (including the frontispiece/titlepage), “The War of the Romans against
the Batavians” (Romanorvm et Batavorvm societas), illustrating Tacitus’ “Histories”
(c.100–110), Book IV, lifetime impression published in the first edition with Latin
text verso by Otto van Veen in 1611 in Antwerp.
Etching (with letterpress text verso) on laid paper trimmed with a
narrow margin around the platemark and backed with a support sheet.
Size: (sheet) 17.4 x 21.4 cm; (plate) 16.7 x 21.3 cm; (image
borderline) 14.7 x 21.1 cm.
Monogrammed on plate at lower left corner: “AT” (in ligature).
Lettered on plate below the image borderline: (in four lines of Dutch
text at left): "Civilis de Ceulsche daer hy op verbittert was (mits dien
sy hun/ vaderlandt verloochenende, eenen Roomschen naem, tweten Agrippynen/
aenghenomen hadden) verslaghen hebbende, schickt syn volck over de Mase,/
quellende de Geldersche, Triersche, ende Terouaensch frontieren."; (center
within a circle) “11”; (in four lines of Latin text at right) “Ciuilis
cæsis Vbijs (quos, eó quòd vetus exuentes no:/ men, Romanum assumsissent,
exosos habebat) suos/ trans Mosam dirigit, qui Menapios, Treuiros, et/ Morinos
fines infestant, damnaque varia inferunt.”
Latin letterpress text verso.
State i (of ii) Note: TIB lists this impression with Latin text verso
as “SI II” and the impressions without the text verso as “SI I2”. In the second
state the plate is “heavily retouched” and with “PLANCHE XII./ INVASION DE
CIVILIS/ DANS LA GAULE BELGIQUE.” (among other changes). There is also a copy
in the same direction executed by Joseph Mulder and inscribed, “I. Mulder
fecit."
TIB (Leuschner 2007) 3501.507 S1 11 (Eckhard Leuschner 2007, “The
Illustrated Bartsch: Antonio Tempesta, vol. 35. Commentary, Part 2, New York,
Abaris Books, p. 121); TIB (Buffa 1984) 570 (Sebastian Buffa [ed.] 1984, “The
Illustrated Bartsch: Italian Masters of the Sixteenth Century: Antonio
Tempesta”, vol. 35, New York, Abaris Books, p. 299, cat. no. 570); Nagler
XVIII.179.560-.595 (G K Nagler 1835–52, “Neus allgemeines Künstler-Lexicon” [22
vols]); Bartsch XVII.145.570 i/ii (Adam von Bartsch 1803, “Le Peintre graveur,”
vol. 17, Vienna, p. 145, cat. no. 560–595).
The Rijksmuseum and the Metropolitan Museum of Art offer descriptions
of this print:
Eckhard
Leuschner (2007, TIB, vol. 35, Commentary Part 2) offers the following insights
about the letterpress text on verso; “…Civilis’s military operations against
neighboring tribes are described, especially against the Ubii which he hated
more than the others because they had romanized their name and now called
themselves Agrippinenses” (p. 121).
Condition: well-printed lifetime impression trimmed with a small
margin around the platemark and laid upon a support sheet of archival
(millennium quality) washi paper. The upper left and lower right corners and a
small hole above the helmet of Civilis have restorations otherwise the sheet is
in excellent condition for its considerable age.
I am selling this superb first state/first edition/lifetime impression
of one of the more desirable of Tempesta’s etchings from the series, “The War
of the Romans against the Batavians”, for the total cost of AU$274 (currently
US$181.95/EUR164.08/GBP147.64 at the time of posting this print) including
postage and handling to anywhere in the world (but not, of course, any import
duties/taxes imposed by some countries).
If you are interested in purchasing this graphically strong image full
of swirling action, but without the extreme use of distortions typifying the
earlier period style of Mannerism, and executed when Rembrandt was only a
five-year-old boy, please contact me (oz_jim@printsandprinciples.com) and I
will send you a PayPal invoice to make the payment easy.
Note that this is the second impression of Tempesta's same etching that I have
listed. The previous copy is from the later edition without the text verso and has
been sold.
This print has been sold
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