Unidentified engraver from the
circle of Cherubino Alberti (1553–1615) and
Aegidius Sadeler II (aka Egidius Sadeler; Gillis Sadeler; Ægedius Sadeler;
Gillis Sadler) (c1570–1629)
“Vase No. 6” (TIB title for Aegidius
Sadeler’s engraving [TIB 7201.413]) (aka “Plate 6: Vase or Ewer with a Frieze
Containing Naked Figures, Supported Below by Two Female Sphinxes” [MET title]),
c1600s (after 1605), plate 6 in the series of ten engravings, “Antique Vases” (“Vasa
a Polydoro Caravagino”), in reverse after Cherubino Alberti’s 1582 engraving
of the same vase (see https://www.britishmuseum.org/collection/object/P_1873-1213-290)
and in the same direction as Aegidius Sadeler II’s 1605 engraving (see https://www.metmuseum.org/art/collection/search/652408)
after Polidoro da Caravaggio’s (aka Polidoro
Caldara; Polidoro da Caravagio )(c1500–1536/7?) frescoes above the first
floor windows of the Palazzo Milesi in the via della Maschera d'Oro in Rome
(see L. Ravelli 1978, “Polidoro Caldare da Caravaggio”, Bergamo, fig. 667, p.
369 and Michael Bury 2001, “The Print in Italy 1550-1620”, British Museum Press,
London, p. 146).
Etching and engraving on laid
paper backed with a support sheet.
Size: (sheet) 39 x 26 cm;
(plate) 24 x 15.9 cm.
Ref. Cherubino Alberti: TIB 34
(17).166 (110) (Sebastian Buffa 1982, “The Illustrated Bartsch: Italian Artists
of the Sixteenth Century”, vol. 34, New York, Abaris Books, p. 197, cat. no.
166 [110]).
Ref. Aegidius Sadeler II: TIB
7201.413 (Isabelle de Ramaix 1998, “The Illustrated Bartsch: Ægidius Sadeler II”,
vol. 72, Part 2 [Supplement], New York, Abaris Books, p. 299, cat. no. [7201].413;
illus. p. 300).
The British Museum offers the
following description of Cherubino Alberti’s print that was copied in reverse
by Aegidius Sadeler II:
“Plate 6: vase depicting naked
figures surrounding a vessel, supported by two sirens; from a series of ten
prints after Polidoro da Caravaggio of antique vases decorated with various
scenes. c1582” (https://www.britishmuseum.org/collection/object/P_1873-1213-290).
Condition: well-printed early impression
showing no wear to the printing plate. There are tears and a few holes in the margins
and the edges to the sheet are ragged, but the image area has no tears, holes,
folds, abrasions or significant stains.
I am selling this early
engraving in reverse of Cherubino Alberti’s print after Polidoro da
Caravaggio’s fresco of the same subject for AU$220 in total (currently
US$154.90/EUR133.09/GBP120.98 at the time of posting this listing) including
Express Mail (EMS) postage and handling to anywhere in the world, but not (of
course) any import duties/taxes imposed by some countries.
If you are interested in
purchasing this superb example of Baroque ornamental design, please contact me
(oz_jim@printsandprinciples.com) and I will send you a PayPal invoice to make
the payment easy.
Note that I have similar
engraving that is presently still available; see https://www.printsandprinciples.com/2018/06/engraving-by-unidentified-printmaker.html.
This print has been sold
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