Giovanni Benedetto Castiglione (aka Il Grechetto) (1609–1664)
“Old Man Wearing a Fur Cap”
(TIB title) (aka “Un Vieillard ve de profil et tuorné vers la gauche” [Bartsch
title]); "Head of an Old Woman with a Fur Cap” [Rijksmuseum title]), 1645–1650,
from the series of 16 plates (TIB 32–47), “Small Studies of Heads in Oriental
Headdress”, printed from
the original plate by McCreery in his 1816 edition of “200 Etchings”.
Etching on fine China paper trimmed
along the platemark (as published for the McCreery edition) and backed with a
support sheet.
Size: (sheet) 10.8 x 8.1 cm.
Inscribed on plate: (upper
left) “GB Castilione Genovese”; (lower right corner in reverse) “6”.
State ii (of ii)
TIB 46(21).38(29) (Paolo
Bellini [ed.] 1982, “The Illustrated Bartsch: Italian Masters of the
Seventeenth Century”, vol 46, New York, Abaris Books, p. 47, cat. no 38 [29]);
Bellini 1982 29 (Paolo Bellini 1982, “L'Opera incisa di Giovanni Benedetto
Castiglione”, Milan, Comune di Milano, p. 116, cat. 29); Bartsch XXI.29.37 (Adam
Bartsch 1803, “Le Peintre graveur”,
Vienna).
The British Museum and the Rijksmuseum
offer descriptions of this print:
https://www.britishmuseum.org/collection/object/P_1871-0812-31;
http://hdl.handle.net/10934/RM0001.COLLECT.34974.
For those who love insights
into the lives of the old masters, the following purported “facts” about
Castiglione may be fascinating:
1: Castiglione invented the
monotype process (i.e. “A single print taken from a design created in oil paint
or printing ink on glass or metal.” Oxford Dictionary)
2: Castiglione “discovered”
Rembrandt and “is the first artist in Italy known to have borrowed directly
from the Dutch master” (Timothy J Standring & Martin Clayton, 2013,
“Castiglione: Lost Genius”, Royal Collection Trust, p. 43)
3: He threw his sister off a
rooftop. (Standring & Clayton, 2013)
4: He accused his brother of
being a thief and an assassin and sent him to jail. (Standring & Clayton,
2013)
5: He almost killed his nephew
with relentless punches. (Standring & Clayton, 2013)
6: Castiglione “pioneered the
development of the oil sketch” (Wikipedia).
Condition: a well-printed
impression with no sign of wear to the printing plate, trimmed along the
platemark and laid upon an archival support sheet of millennium quality
washi paper. The sheet is in an excellent condition with no tears, holes, folds,
abrasions, stains, foxing or signs of handling.
I am selling this superb
etching by the artist argued to be the inventor of the monotype for AU$325
(currently US$238.47/EUR218.03/GBP193.65 at the time of this listing) including
postage and handling to anywhere in the world (but not, of course, any import
duties/taxes imposed by some countries).
If you are interested in
purchasing this arresting study that the Rijksmuseum proposes is “inspired by
similar etchings by Rembrandt and Lievens” (see RP-P-OB-12.181), please contact
me (oz_jim@printsandprinciples.com) and I will send you a PayPal invoice to
make the payment easy.
This print has been sold
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