Georg
Andreas Wolfgang (1631–1716)
“The Wild
Boar Hunt”, c1660, presumably published by the artist in either Augsburg or Nuremberg.
The only other copy that I could find of this rare print is held by the Duke
Anton Ulrich Museum, Braunschweig (https://nds.museum-digital.de/index.php?t=objekt&oges=76432)
and neither the museum's impression not this impression is lettered with publication details, but possibly they
are both pre-publication proof impressions. The possibility that this impression is a proof-state impression is supported by the exceptionally strong quality of the lines.
Engraving and etching on laid paper trimmed
with a small margin around the image borderline.
Size: (sheet) 21.7 x 15.9 cm; (image borderline) 20.7 x 15.5 cm.
Condition: a strong and richly
inked impression, trimmed with a small margin around the image borderline and
in an excellent condition with no tears, holes, folds, abrasions, stains, foxing
or signs of handling.
I am selling this startlingly strong impression—the
raven black of the printing ink is a good example of German printmakers’ use of
mineral black at the time as opposed to the Italian printmakers who (arguably) used
slightly greyer carbon-based inks—for AU$241 (currently US$185.10/EUR155.34/GBP133.80
at the time of posting this listing) including Express Mail (EMS) postage and
handling to anywhere in the world, but not (of course) any import duties/taxes
imposed by some countries.
If you are interested in purchasing this romantic
and very dramatic etching of a lynx(?) attacking a wild boar by “the first
practitioner of mezzotint in Augsburg” (see BM’s biographical details for Wolfgang),
please contact me (oz_jim@printsandprinciples.com) and I will send you a PayPal
invoice to make the payment easy.
No comments:
Post a Comment
Please let me know your thoughts, advice about inaccuracies (including typos) and additional information that you would like to add to any post.