Cornelis Visscher II (aka Cornelis Vischer) (1628/9–1658)
“Young
Shepherd and Shepherdess Near a Tree” (aka
“Jonge herder en herderin bij een boom”), c1648 (1638–1658 [Rijksmuseum attrib.), after Pieter van Laer
(aka Pieter Bodding van Laer; Pieter Boddingh; Bamboccio; Pieter Jacobsz van Laer Bamboccio) (1592/9–c1642)
and a companion piece to Cornelis Visscher’s “The Robbery of Horses” also after
Van Laer (see http://hdl.handle.net/10934/RM0001.COLLECT.191149).
Engraving and
etching on laid paper trimmed around the platemark and backed with a support
sheet.
Size: (sheet) 36.8
x 29.5 cm.
Inscribed on
plate below the image borderline: (left) “P. D. Laer pinx.”; (centre)
"Corn. Visscher fecit.”
Hollstein Dutch
55 (Christiaan Schuckman 1992,
Dutch and Flemish Engravings, Etchings and Woodcuts, ca. 1450–1700: Cornelis de
Visscher, Cornelis Visscher, Hendrick Jansz Visscher, Lambert Visscher”, vol. 40,
Roosendaal, Koninklijke Van Poll, pp. 68–70, cat. no.55).
The British
Museum offers the following description of this print:
“A resting
herd; A young shepherd, peasant girl and resting animals; the boy stands by a
tree and points towards two cows; after Pieter van Laer” (https://www.britishmuseum.org/collection/object/P_1839-0413-201).
See also the
description of this print offered by the Rijksmuseum: http://hdl.handle.net/10934/RM0001.COLLECT.191148.
Condition: a strong
and well-printed impression, trimmed along the platemark and laid onto a
support sheet of archival (millennium quality) washi paper. The sheet is in an
excellent condition with no tears, holes, folds, abrasions, significant stains
or foxing.
I am selling
this large pastoral engraving (with etching) from the 17th century possibly promulgating the idea fostered by the gentry that shepherds are idle folk
(see John Barrell’s [1980] “The Dark Side of the Landscape”), for the total
cost of AU$267 (currently US$203.27/EUR172.72/GBP146.99 at the time of this
listing) including postage and handling to anywhere in the world (but not, of
course, any import duties/taxes imposed by some countries).
If you are
interested in purchasing this romantic image of rural bliss—note how the standing
cow’s eye-contact with us (the viewers) subliminally acknowledges that we too
are quiet participants in this scene—please contact me
(oz_jim@printsandprinciples.com) and I will send you a PayPal invoice to make
the payment easy.
This print has been sold
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