Johannes
Wierix (aka Jan Wierix) (1539–1620)
“Portrait of
the Painter Willem Key” (aka “Portrait of William Cayo”; “Guilielmo Caio
Bredano, Pictori”), 1572, plate 20 from the series of 23 engravings, “Pictorum
Aliquot Celebrium Germaniae Inferioris Effigies” with Latin verses by Dominicus
Lampsonius (1532–1599). This impression is from the third edition published in
Antwerp by Theodoor Galle (aka Theodor Galle; Dirck Galle) (1571–1633).
English Books Online
offers the following accompanying description to this engraving of the
portrayed Flemish painter (Willem Key [1515/16–1568]):
“Born at Breda;
beloved of all for his virtuous manner of life, he chiefly set himsel to draw
faces by the life, which he did with that approbation, that there was scarce a
person of Quality of his time in that Countrey, but were drawn by him; that of
Cardinal Granvil, and the Prince of Orange, above others are most admired; The
Duke of Alva Governor of the Low Countries at that time for the K. of Spain
sent for him to Brussels to draw his picture, which while he was doing, struck
with horror (as he confessed to some of his friends a little before his death)
at the bloody resolutions and actions of the said Duke, he fell sick of a fever
and died, the same day that the Counts Egmont and Horne, two of the most
Illustrious Per∣sons of
the Low Countries lost their heads” (see “20. William Cayo”: https://quod.lib.umich.edu/e/eebo2/A57086.0001.001/1:5?rgn=div1;view=fulltext).
Engraving on early
laid paper (i.e. the paper shows the attribute of a strong accumulation of paper
pulp beside the laid lines). Note that in the first state the Latin text is letterpress
printed and in this impression from the fourth state the text is engraved in
the plate.
Size: (sheet)
29.2 x 19.1 cm; (plate) 21 x 12 cm.
Inscribed in plate
within the image borderline: (upper edge) “Obijt Antuerpiæ anno 1568 [Died in
Paris in the year 1568]/ Z0 [20].”; (lower right corner) “IHW” [engraver’s
monogram].
Lettered in
plate below the image borderline: (lower left) “Th. Galle excud.”; (centre) “GVILIELMO
CAIO, BREDANO,/ PICTORI./ Quas hominum facies, vt eos te cernere credas,/
Expressit Caij pingere docta manus,/ Si tamen excipias vnum, me iudice, + Morum/
Culpari Belgæ nullius arte timent.”; (lower right) “+ Antonius Morus
Vltraiectinus,/ Philippi II. Hisp. Regis pictor.”
Hand inscribed
in faded brown ink below the image borderline: “20”.
State iv (of v)
with the letterpress verses replaced with engraved text (state ii); the
addition of Galle as the publisher (state iii); the addition of the line of
text above Willem Key's head (state iv).
Mauquoy-Hendrickx
1746.IV (Marie Mauquoy-Hendrickx 1978, “Les Estampes Des Wierix”, vol. 3,
[text] p. 345, cat. no. 1746 IV, [ill.] p. 245); Hollstein 2032; Riggs 269.
The British
Museum offers the following description of this print from its first state:
“Plate 20:
Portrait of Willem Key, three quarter length, facing right; with a beard and a
bonnet, holding a palette and some brushes; first state; from the first edition
published by the widow of Hieronymus Cock in Antwerp in 1572” (https://www.britishmuseum.org/collection/object/P_1879-0510-452).
Interestingly, Jan
Wierix’s pupil, Hendrik Hondius I
(1573–1650), published a copy in reverse after his master’s engraving (see https://pictura-prints.com/product/antique-print-portrait-willem-key-painter-hondius-1610/).
Condition: a near
faultless, strong and well-printed impression with substantial margins. Beyond
a brown ink inscription (now faded) of the plate number, the sheet is in
pristine condition with no tears, holes, folds, abrasions, stains, foxing or
signs of handling.
I am selling
this marvellously preserved engraving showing the Flemish painter, Willem
Key—famous for painting flattering portraits and (sadly for the wrong reason) for
dying from shock following the public execution of conspirators in an assassination
plot he had overheard while painting the portrait of the Duke of Alba—for AU$243
(currently US$180.96/EUR153.40/GBP130.65 at the time of this listing) including
postage and handling to anywhere in the world, but not (of course) any import
duties/taxes imposed by some countries.
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