Gabriel Perelle (aka Gabriel Perrelle) (1604–1677) / Nicolas
Perelle (1631–c1695) / Adam Perelle (1640–1695)
Note: all prints in the British Museum that are inscribed
with the name, “Perelle,” are catalogued under the father’s name, “Gabriel
Perelle” (https://www.britishmuseum.org/collection/term/BIOG41615). The Rijksmuseum advises: (transl.) “Prints with the signature 'Perelle'
can be made by father Gabriel as well as by sons” (see RP-P-OB-72.016).
“Tondo Landscape with Classical Ruins” (descriptive title
only), c1660, plate IV (4)—presumably from a numbered series of around ten
etchings, as was the practice of the Perelle family. This very beautiful impression was
acquired from the estate of the well-known NYC art dealer, Alexander Raydon.
Etching on fine (fibrous) China/wove paper with a small
margin around the platemark.
Size: (sheet) 19.8 x 19.2 cm; (plate) 17.6 x 17 cm; (image
borderline dia.) 16.6 cm.
Inscribed in plate below the image borderline at lower
left: “Inuenté et graué par Perelle […] Auec priuil,.du Roy […] IV”.
Condition: a superb, richly inked and well-printed
impression in near pristine condition with no tears, holes, folds, abrasions,
significant stains, foxing or signs of handling.
I am selling this very strong impression of a round
formatted scene showing visitors near the ruins of an Italian classical
building—possibly this round building graced with a fountain inside it was once
a grand bathhouse? —for AU$256 (currently US$185.25/EUR158.10/GBP135.12 at the
time of posting this listing) including postage and handling to anywhere in the
world, but not (of course) any import duties/taxes imposed by some countries.
If you are interested in purchasing this superb landscape
etching rendered with the finest of details and capturing the sparkling light
and clean air of the rural countryside in the 17th century,
please contact me (oz_jim@printsandprinciples.com) and I will send you a PayPal
invoice to make the payment easy.
This print has been sold
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