Hendrik Goltzius (aka
Hendrick Goltzius) (1558–1617)
“Honor and Opulence” (TIB title) (aka “Les
richesses et les honneurs”; “Honor and Wealth”; “Eer en Rijkdom”), 1582, plate
three from the series of four plates, “Ways and Means to Fortune” (aka “The
Rewards of Labour, Industry, Practice and Art”), published by Hendrik Goltzius
in Haarlem.
Regarding the series, “Ways and Means to
Fortune”, Walter L Strauss (TIB 1982) advises that “Goltzius’s primary artistic
concern is the stance and anatomy of the female nude” and proposes that “Antoni
van Blocklandt’s influence is manifest” (p. 106, cat. no. [0301].110).
Engraving on laid paper with watermark of
Amsterdam (1600), “Coat of Arms Surmounted by Caduceus” (TIB.242-.245; Briquent
5516), with small margins around the platemark.
Size: (sheet) 24.4 x 17.2 cm; (plate) 20 x 14
cm; (image borderline) 18.2 x 13.4 cm.
Numbered and lettered in plate within the
image borderline: (upper left) “Honor”; (upper centre) “Opulentia”; (lower left)
“3.“; (lower right) “[ligature initials] HGoltzius fecit.”
Lettered in two lines of Latin and two lines
of Dutch below the image borderline: “Mutua Diuitiæ et Laus … van beswarē” ([transl. "Here
Wealth and Honour are shown in love/ Would that our life be free of sorrow").
A lifetime impression based on the quality of
line showing no sign of wear to the printing plate and the date of the
watermark (1600).
TIB 0301.112 (Walter L Strauss [ed.] 1982, “The
Illustrated Bartsch: Netherlandish Artists: Hendrik Goltzius”, vol. 3 [Commentary],
New York, Abaris Books, p. 107, cat. no. [0301].112); New Hollstein Dutch 201 (Marjolein
Leesberg [comp.] 2012, “The new Hollstein Dutch & Flemish etchings,
engravings and woodcuts 1450–1700: Hendrick Goltzius”, vol. 1, Ouderkerk aan
den Ijssel, Sound & Vision, p. 17, cat. no. 201).
Walter L Strauss (TIB 1982) offers the following
description of this print: “The nude man, Honor, is sitting on the ground,
crown, scepter, and laurel wreath next to him, while he is gently kissing
Opulence, who is holding a bowl of gold coins in her left hand. His foot
transgresses the frame. The palm and seascape in the background suggest a Mediterranean setting” (p. 107).
See also the descriptions of this print
offered by The Rijksmuseum and The British Museum: http://hdl.handle.net/10934/RM0001.COLLECT.364998
& https://www.britishmuseum.org/collection/object/P_1854-0513-129.
Condition: a well-printed (near faultless)
impression with margins around the platemark. Beyond a area of thinning to the
margin at lower left, the sheet is in a near pristine condition for its
considerable age.
I am selling this lifetime impression (based
on the line quality and the paper watermark from 1600) by the almost legendary
Goltzius for the total price of AU$622 in total (currently US$440.73/EUR418.93/GBP356.87
at the time of posting this listing) including postage and handling to anywhere
in the world, but not (of course) any import duties/taxes imposed by some countries.
If you are interested in purchasing this small
masterwork executed towards the beginning of Goltzius’ career as an engraver and
publisher, please contact me (oz_jim@printsandprinciples.com) and I will send
you a PayPal invoice to make the payment easy.
This print has been sold
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