Claudine Bouzonnet Stella (aka
Claudia Bouzonnet-Stella) (1636–1697)
“Plate 13: Christ before Pilate” (aka “Christus
voor Pilatus”), c1670 (1646–1697), plate 13 from the series of 13/14 plates,
“Life and Passion of Christ (aka “La Vie et la Passion du Christ”; “Het leven
en lijden van Christus”), published in Paris with privilege
from Louis XIV (King of France), after the intermediary design by Jacques
Stella (1596–1657), after the painting of the same composition
previously attributed to Nicolas Poussin (1594–1665).
Engraving with etching on
distinctively fibrous laid paper with full margins as published.
Size: (sheet) 59.3 x 43 cm; (plate) 46.2 x 35.5
cm; (image borderline) 43.3 x 34.8 cm.
Lettered in plate below the image borderline:
(left) “N. Poussin Pinxt:”; (right) “C Stella Sculp./ 13.”
Regarding the series of which this print is a
part, the Curator of the British Museum offers the following insights:
“From a series of thirteen (or fourteen?)
plates depicting the Passion of Christ.
The set is now thought to have been engraved
after designs by Jacques Stella rather than by Poussin.
Indeed, Claudine Stella's will (1697) states
that she owned a series of thirty paintings by Jacques Stella depicting the
Passion, and that although she had intended on reproduce them, she had only
been able to engrave ten plates (entry into Jerusalem; Last Supper; Jesus
washing the Apostles' feet; the prayer at Gethsemane; capture of Christ; Christ
before Annas; St Peter's denial; Christ before Caiaphas; Christ mocked by the
soldiers; Christ led to Pilate). She bequeathed these paintings and these
plates to her cousin Michel de Masso and explicitly asked him to engrave or to
commission the engraving of the remaining plates. It is believed that De Masso
or one of his heirs then replaced Jacques Stella's name by that of Poussin.
For practical reason, the whole series is kept
under the name of Claudine Stella.
See Anthony Blunt 'Jacques Stella, the De
Masso family and falsifications of Poussin', Burlington Magazine vol. CXVI,
December 1974, pp.744-749.” (https://www.britishmuseum.org/collection/object/P_U-7-37)
LeBlanc 7 (Charles Le Blanc 1854, “Manuel de
l'amateur d'estampes, contenant un dictionnaire des graveurs de toutes les
nations: ouvrage destiné à faire suite au Manuel du libraire par J.Ch. Brunet”,
vol. 3, p. 589, cat. no. 7 [see https://archive.org/details/manueldelamateur03lebl/page/588/mode/2up]);
Nagler 6 (G.K. Nagler 1832–52, “Neues allgemeines Künstler-Lexicon
oder Nachrichten von dem Leben und den Werken der Maler, Bildhauer,
Kupferstecher, Formschneider, Lithographen”, vol. 17, p. 308, cat. no. 6
[see https://archive.org/details/bub_gb_jE1QmVcKYywC/page/307/mode/2up]);
Andresen 197a; Wildenstein IX.
The British Museum offers the following
description of this print: “Plate 13: Christ before Pilate; Christ stands
surrounded by soldiers, at right; Pilate sits on a throne on a gallery and is
listening to a young man standing beside him and pointing to right. before 1697/
Etching and engraving” (https://www.britishmuseum.org/collection/object/P_U-7-49).
See also the Rijksmuseum’s description of this
print: http://hdl.handle.net/10934/RM0001.COLLECT.179732.
Condition: a richly inked and near faultless
impression with wide margins as published in an excellent condition for its
considerable age. Note that the left and right corners have unevenness that are
a natural attribute of the paper.
I am selling this magnificently strong
impression of a large engraving (with etching) executed by one of the few historically
documented female printmakers from the late Renaissance period for AU$314
(currently US$214.60/EUR213.82/GBP184.93 at the time of posting this listing)
including postage and handling to anywhere in the world, but not (of course)
any import duties/taxes imposed by some countries.
If you are interested in purchasing this
superb engraving exemplifying the period style of Mannerism, please contact me
(oz_jim@printsandprinciples.com) and I will send you a PayPal invoice to make
the payment easy.
This print has been sold
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