Wenceslaus
Hollar (aka Václav
Hollar; Wenzel Hollar) (1607–1677)
“Prince Charles Louis,
Count Palatine of the Rhine” (aka “Carolus Ludovicus D: G: Comes Palatinus ad
Rhenum”)—Karl I Ludwig (1617–1680), Elector Palatine (ruled 1648–1680),
1646, from the series, “Icones Principum Virorum” after a portrait painted by Anthony
van Dyck (1599–1641) in the Edith A. and Percy S. Straus Collection in the
Museum of Fine Arts, Houston (inv. no. 44.532). This is first lettered state
impression before the addition of details for the later publication of this
print by Hendrick van der Borcht the Younger (1614–1666?).
Etching on laid paper, trimmed around the
image borderline with the writing edge intact and
backed with a support sheet.
Size: (support sheet) 33.8 x 23.3 cm; (sheet)
27.7 x 20 cm; (image borderline) 25.8 x 19.9 cm.
Lettered in plate below the image borderline:
(left) “Ant: van dyck pinxit”; (centre) “CAROLVS LVDOVICVS D: G: COMES
PALATINVS AD RHENVM, Sri: Rni: LMrii:/ Princeps,
Archidapifer & Elector, Dux Bauariæ, Nobilissimi Ordinis Garterij Eques etc/
WHollar fecit, 1646”.
Pennington 1447.i (Richard Pennington 1982, “A
Descriptive Catalogue of the Etched Work of Wenceslaus Hollar 1607–1677”,
Cambridge, Cambridge University Press, pp. 250–51, cat. no. 1447.i); New
Hollstein (German) 866.I; New Hollstein (Dutch & Flemish) 122.
The British Museum offers the following
description of this print: “Portrait, over half-length, turned slightly to the
right, wearing a lace collar over armour, medal of the garter suspended from a
chain around his neck, a sword hanging from his waist, his right hand resting
on a baton, his left bent behind his back; first, lettered state with the title
and production details; after Van Dyck” (https://www.britishmuseum.org/collection/object/P_1867-1012-598).
Condition: a well-printed lifetime impression
trimmed around the image borderline with the writing edge intact and laid onto
archival (millennium quality) washi paper. The sheet is in a very good
condition for its age with no tears, holes, folds, abrasions, significant stains
or foxing.
I am selling this sensitively executed half-length
portrait of Prince Charles Louis—the Count Palatine of the Rhine who was to later lose
his possessions when he rashly accepted the Bohemian crown (see Richard
Pennington [1982] p. 251)—for the total cost of AU$355 (currently US$246.17/EUR228.12/GBP204.15
at the time of this listing) including postage and handling to anywhere in the
world, but not (of course) any import duties/taxes imposed by some countries.
If you are interested in purchasing this superb
portrait—my eye is taken by the rendering of Prince Charles Louis’ hand and how
Hollar has not only captured the volume/form of the baton being held, but also
the youthful puffiness of the hand; note also how the armour has the “right”/appropriate degree of sheen for polished steel (i.e., not too shiny and not too dull)—please
contact me (oz_jim@printsandprinciples.com) and I will send you a PayPal
invoice to make the payment easy.
This print has been sold
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