Adolphe
Appian (1818–1898)
“Au Valromey
(Ain)”, 1868, printed by Auguste Delâtre (aka Auguste Marie Delâtre)
(1822–1907) and published in Paris by Cadart & Luce (fl.1867–1870/1)
as plate 6 to the art periodical in its first year, “L'Illustration nouvelle
par une société de peintres-graveurs à l'eau-forte”, vol. 1, 1868.
Etching on laid
paper trimmed around the platemark on the top and left sides and with narrow margins
on the bottom and right sides.
Size: (sheet)
15.9 x 24.5 cm; (plate) 14 x 24 cm; (image borderline) 10.1 x 19.2 cm.
Numbered in
plate above the image borderline: “6.”
Inscribed in
plate within the image borderline: (upper right) “APPIAN/ 1060 [1868]”.
Lettered in
plate below the image borderline: (left) “Appian sculp./ CADART & LUCE,
Editeurs. Rue Nve des Mathurins, 58.”; (centre) “AU VALROMEY (AIN)/ (Vallis
Romana sous Jules César)”; (right) “Imp. Delâtre, Paris.”
State ii (of
ii) with the addition of publication details.
Curtis &
Prouté 25 ii (Atherton Cutiis & Paul Prouté 1968, “Adolphe Appian son
Oeuvre Gravé et Lithographié”, Paris, Paul Prouté, [n.p.] cat. no. 25 ii);
Jennings 22 (Herbert H Jennings 1925, Adolphe Appian [essay] in “Print
Collector’s Quarterly,” vol. 12, no. 1, p. 115, cat. no. 22 [scroll to page115:
https://digi.ub.uni-heidelberg.de/diglit/print_collectors_quarterly1925/0134/scroll]).
The British
Museum offers the following description of this print: “River landscape with
sloping bank to left, spindly tree overhanging water to right. 1868 Etching,
with some surface tone” (https://www.britishmuseum.org/collection/object/P_1870-0514-826).
Condition: a
richly inked and well-printed (faultless) impression with a small margin around
the image borderline. The sheet is in a near pristine condition with no tears,
holes, folds, stains, foxing or signs of handling.
I am selling
this visually arresting and very poetic etching featuring a somewhat sinister
(at least to my eyes) silhouetted tree overhanging a stream, for the total cost
of AU$312 (currently US$208.99/EUR195.84/GBP171.66 at the time of this listing)
including postage and handling to anywhere in the world, but not (of course)
any import duties/taxes imposed by some countries.
If you are
interested in purchasing this spectacularly moody—even spooky—etching executed
by an artist with a strong personal vision and a close connection with the
Barbizon School, please contact me (oz_jim@printsandprinciples.com) and I will
send you a PayPal invoice to make the payment easy.
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