This
engraving is by one of the surprisingly few female printmakers that history has
remembered. Note that I have listed another copy of this print previously, but it
has been sold.
Madeleine Horthemels (aka Louise Madeleine Horthemels; Louise
Magdeleine Cochin; Magdalena Horthemels) (1686–1767)
“St Philip
Baptising the Eunuch of Queen Candace” (aka “The
Baptism of the Eunuch”; “St Philip Baptising the Ethiopian Eunuch”), c1730,
after the painting (in reverse) by Nicolas Bertin (1668–1736),
published with royal privilege by Charles Nicolas Cochin père
(1688–1754) in Paris.
Note that Jacob
Balthasar Lidel (fl.1750–60) also made an engraving in c1760 of
Betin’s painting, but Lidel’s engraving has additional features at the top and
sides (see cat. no. 85: https://artinfo.pl/wyniki-aukcji/grafika-dawna-aukcja-charytatywna-ze-zbiorow-tomasza-i-janiny-maczugow?page=2).
Engraving and
etching on laid paper trimmed with a narrow margin around the image borderline
and writing edge.
Size: (sheet) 37.6
x 26.8 cm; (image borderline) 33.4 x 26.4 cm.
Inscribed below
the image borderline: (left) “Peint par Bertin”; (centre, two columns of text
featuring in the left column a Latin quatrain with a French translation in the
right column) “Ait Eunuchus ad Philippum: Ecce aqua, quid prohibet me baptisa-/
vi? Dixit autem Philippus: Si credis ex toto corde, licet. Et respondens/ ait:
Credo, Filium Dei esse Jesum Chrislum. Et descenderunt uterque/ Philippus &
Eunuchus, et baptisavit eum. Act. C. VIII. vs. 36.// …/ …/ …/ …/ … Act. Ch.
VIII vs 36./ L’Un des Tableaus de la Nef de l’Eglise de l’abaȉe Roȉale de St.
Germain des Prez./ AParis chez Cochin graveur du Roi rue St. Jacque[s] vis à
vis les Mathurins à St Charles Avec Privilege du Roi.”; (right) “Gravé par
Madeleine Cochin.”
(Quatrain
translated with adjustments—my apologies if I have been too free with the
translation) “The eunuch said to Philip: ‘Here is water, what prevents me from
being baptised?’ And Philip said, ‘If you believe with all your heart [that you
may be baptised]’. And in response the eunuch said, ‘I believe that the Son of
God is Jesus Christ’. They both went down to the water and Philip baptised him.
Act. Ch. 8. Vs. 36.”
Nagler 2 (G.K.
Nagler 1837, “Neues allgemeines Künstler-Lexicon oder Nachrichten von dem Leben
und den Werken der Maler, Bildhauer, Kupferstecher, Formschneider, Lithographen,
Zeichner, Medailleure, Elfenbeinarbeiter, etc.:Gallimberti— HaslÖhl”, vol., 5,
Munich, E A Fleischmann, p. 316, cat. no. 2).
Orléans Museum of Fine Arts offers a description of this print: https://webmuseo.com/ws/mbao/app/collection/record/652.
Condition: a
strong and well-printed early impression showing no sign of wear to the
printing plate. The sheet is trimmed with a narrow margin around the image
borderline on the top and sides and retains the text lines of the lower edge. There
are scattered worm-holes and noticeable abrasions (e.g., dot-like abrasions
that look like water droplets below the eunuch’s hands and in the sky),
otherwise the sheet has no tears, significant satins or foxing.
I am selling
this very beautiful engraving, featuring a seminal biblical event for the
Ethiopian Catholic Church of St Philip in the act of baptising the Ethiopian
eunuch of Queen Candace by pouring water from a shell onto the eunuch’s head, for
AU$323 in total (currently US$216.02/EUR199.15/GBP175.17 at the time of posting
this print) including postage and handling to anywhere in the world (but not,
of course, any import duties/taxes imposed by some countries).
If you are
interested in purchasing this visually arresting engraving exemplifying the
theatricality of the Baroque period, please contact me
(oz_jim@printsandprinciples.com) and I will send you a PayPal invoice to make
the payment easy.
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