Nicolaes Berchem (aka Nicolaes Pietersz. Berchem;
Nicolaes Berchen; Niclas Berghem; Claes Berighem; Nicolaes
Pietersz.Berrighem) (1624–1683)
For
those interested in the origins of names, I have always believed the old story
that Nicholaes Berchem had acquired his name from the cries of his mates who
yelled, “Berg hem! Berg hem!” (Save him! Save him!), when Nicolaes was trying
to escape the wrath and a beating from his father—the famous still-life
painter, Pieter Claesz. Although I still love this story, the truth
may be much less colourful as I have now read an interesting article by Michael
Prodger (2020) who explains: “Berchem is the name of his father’s home town”
(see “The greats outdoors: How Nicolaes Berchem offered vistas of a golden
Arcadia …” [https://www.newstatesman.com/long-reads/2020/05/greats-outdoors-how-nicolaes-berchem-offered-vistas-golden-arcadia]).
“Three
Goats” (aka “Un Jeune Bouc vu par derrière …” [Bartsch title]), c1650
(1648–1652), from the series of eight plates (including the title
plate) showing various animals, “Animalia” (aka “Animals”; “Animalia ad vivum
delineata et aqua forti aeri impressa Studio et Arte Nicolai Berchemi”; “A
Man’s Sketchbook II” [TIB title]), published in the third state by Clement
de Jonghe (aka Clemendt Ionghe; Clement de Jonge) (1624/25–1677) in
Amsterdam.
The
Curator of the British Museum offers the following insights about this print:
“Although this print does not bear the artist's name, it was probably made by
Berchem since other prints from this series show his name. This is first state
which is unfinished in many parts … (https://www.britishmuseum.org/collection/object/P_1957-0530-108).
See also the description of the title plate (frontispiece) to the series
offered by the British Museum: https://www.britishmuseum.org/collection/object/P_Sheepshanks-3929.
Etching
on laid paper.
Size:
(sheet) 12.4 x 14.5 cm; (plate) 10.1 x 11.4 cm.
State
i (of vii) before the addition of the letter “b” in the top right corner, the
number “5” in the lower left corner and the repeat of the number "5"
in the lower right corner.
TIB
7(5).52(280) (Otto Naumann 1978, “The Illustrated Bartsch: Netherlandish
Artists”, vol. 7, New York, Abaris Books, p. 79, cat. no. 53 [ 280]); Hollstein
Dutch 53.I.
See
also: Pieter Biesboer et al. 2006, “Nicolaes Berchem: In the Light of Italy”,
Haarlem, Frans Hals Museum, pp. 124–25, cat. no. P83.
The
Rijksmuseum offers a description of this print from the third state: http://hdl.handle.net/10934/RM0001.COLLECT.38107.
The
British Museum offers the following description of this print:
“Three
he-goats. A he-goat standing in the centre seen from the back and his face
turned in profile to the left, a recumbent goat to the left, a bleating goat
standing in the background; unfinished in many parts; from a series of eight
plates showing various animals/ Etching” (https://www.britishmuseum.org/collection/object/P_1957-0530-108).
Condition:
a richly inked and well-printed (near faultless) impression with reasonably
wide margins (varying between .8 to 1.9 cm) around the platemark. The sheet is
in a near pristine/museum quality condition with no tears, holes, folds,
abrasions, significant stains or foxing
Note
that this is the second copy of this print that I have listed. The previous listed
copy has been sold.
I am
selling this magnificent first state (lifetime) impression of three he-goats on
a grassy mound—note how Berchem has varied the depth of the etched lines
separating the foreground goats from the one further back so that the more
distant goat appears lighter in tone—for the total cost of AU$308 (currently
US$205.87/EUR186.27/GBP163.97 at the time of posting this listing) including Express
Mail (EMS) postage and handling to anywhere in the world, but not (of course)
any import duties/taxes imposed by some countries.
If you
are interested in purchasing this sensitively executed and subtly animated
etching, please contact me (oz_jim@printsandprinciples.com) and I will send you
a PayPal invoice to make the payment easy.
This print has been sold
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