Richard
Earlom (aka Henry Birche)
(1743–1822)
“A Herb Market”, 1779, from the series, “Houghton
Gallery”, after the intermediary drawing by Joseph Farington (1747–1821)
after the painting in the Hermitage Museum, St Petersburg (inv. no. GE598) attributed
to Frans Snyders (aka Senedre; Seneidre; Frans Snijders) (1579–1657) and
Jan Boeckhorst (aka Johann Bockhorst; Jan Lange; John Long)
(c.1604–1668), published in London by John Boydell (1719–1804)
in 1779.
Mezzotint
with stipple and etching on laid paper backed with a support sheet.
Size:
(sheet) 46.6 x 62.6 cm; (plate) 41.5 x 57.5 cm; (image borderline) 35.7 x 57.9
cm.
Lettered on plate below the image borderline: (left) “Snyders & Long John Pinxerunt./ Joseph Farington delint./ Size of the picture, F6, I10 by F11, I2 in Length.”; (centre with text broken by the coat of arms, “FARI QUÆ SENTIAT”) “John Boydell excudit 1779/ A HERB MARKET./ In the Gallery at Houghton./ published Novr, 13th. 1779 by John Boydell Engraver in Cheapside London.”; (right) “Richd. Earlom Scupsit.”
Lifetime
impression of the published state by Boydell (1779).
Note
that the British Museum has an early state of this print before the addition of
mezzotint: https://www.britishmuseum.org/collection/object/P_1867-0413-601.
Wessely
111 (Joseph Eduard Wessely 1886, “Richard Earlom: Verzeichniss seiner
Radirungen und Schabkunstblätter”, Hamburg, Haendcke & Lehmkuhl);
Rubinstein 13 (Gregory M Rubinstein 1991, “Richard Earlom (1743–1822) and
Boydell's Houghton Gallery”, “Print Quarterly”, Vol VIII, London).
The
British Museum offers the following description of this print:
“Two
women on the right, haggling over vegetables, while a small urchin pickpockets
one of them; stacks of produce on the left and right, wagon and houses in the
background, a horse sniffs at some cabbage from the far left; coat of arms at
bottom; after Frans Snyders and Jan Boeckhorst; published state. 1779 Mezzotint
with stipple and etching” (https://www.britishmuseum.org/collection/object/P_1893-0612-93).
Condition: a superb impression showing very few signs of wear to the printing plate. Beyond
minor issues in the margins (viz., the corners are rounded; there are pale
marks and a fracture/tear on the upper edge), the sheet is in a very good
condition for its considerable size and age, and it has been laid upon an
archival support sheet of millennium quality washi paper.
I
am selling this exceptionally rare and large masterwork of mezzotint,
showing the full spectrum of tones from sparkling whites, translucent soft
greys to the darkest of velvety blacks, for AU$597 (currently US$399.03/EUR361.05/GBP317.82
at the time of posting this listing) including postage and handling to anywhere
in the world (but not, of course, any import duties/taxes imposed by some
countries).
If you are interested in purchasing this amazingly detailed view of a green-market stand with what must be close to the full-range of produce farmed in the 1600s (based on the dates of the original painters who crafted the composition), please contact me (oz_jim@printsandprinciples.com) and I will send you a PayPal invoice to make the payment easy.
This print has been sold
No comments:
Post a Comment
Please let me know your thoughts, advice about inaccuracies (including typos) and additional information that you would like to add to any post.