Hans Weiditz II (aka The Petrarch Master) (1500–1536)
(Designer)
“From
a Volcanic and Fertile Field” (aka “Twee
ploegers en andere landarbeiders” [Rijksmuseum title]; “Two Ploughmen and Other
Farm Workers”; “Von einem wolgebawten und fruchtbaren Acker”; “Of a Fertile
Field”; “Von einem fruchtbaren Acker”), c.1532 (1514 –1532 [Rijksmuseum dates]),
originally published in Augsburg in 1532 and printed by Heinrich Steiner (fl.1522–1548)
(see http://hdl.handle.net/10934/RM0001.COLLECT.726091).
This impression (with breaks
in the image borderline at left) is from the 1572 edition of Francesco
Petrarca’s (1304–1374) “Trostspiegel in Glück vnd Vnglück..”, published in
Frankfurt-am-Main by Christian Egenolff I’s (aka Egenolph) (1502–1555) widow,
Margarethe, on the verso of page LVII (57). Note that the plate was published
with an unbroken borderline in Petrarca’s “Von der Artzney bayder Glück, des
gůten und widerwertigen” (1532, p. LXXIII) and Petrarca’s “Das Glückbuch,
Beydes dess Guten und Bösen” (1539, p. LVI [verso]). Be mindful there are other
editions from 1532 leading up to 1572 that I have not examined.
Woodcut on laid paper trimmed
with a small margin around the image borderline, with letterpress text verso
concealed under a backing support sheet.
Size: (sheet) 11 x 16.1 cm;
(image borderline) 9.7 x 15.6 cm.
Letterpress printed text above
the image borderline in German: “Trostspiegels erste Buch/” (Trostspiegel's
first book/).
Musper 39 ([Heinrich] Theodor
Musper 1927, “Die Holzschnitte des Petrarkameisters : ein kritisches
Verzeichnis mit einleitung”, Munich, p, 119, cat. no. 39); Walther Scheidig 1955,
“Die Holzschnitte des Petrarca-Meisters zu Petrarcas Werk von der Arzney bayder
Glück des guten und widerwärtigen: Augsburg 1532”, Berlin, p. 108.
See also the description of
this print offered by the Rijksmuseum: http://hdl.handle.net/10934/RM0001.COLLECT.726091.
Condition: a strong and
well-printed impression from the slightly damaged plate in 1572, trimmed with a
small margin around the image borderline and laid onto a support of archival
(millennium quality) washi paper providing wide margins.
I am selling this wonderful
woodcut showing the ploughing and harvesting practices of the 16th
century—interesting for me, I can see that the ploughmen do not use the
customary ox-turn/ boustrophedon movement at the end of each furrow and that
there is an overseer on horseback in the distance suggesting a system of
serfdom (but, of course, I may be wrong)—for AU$238 (currently US$159.08/EUR143.93/GBP126.70
at the time of this listing) including postage and handling to anywhere in the
world, but not (of course) any import duties/taxes imposed by some countries.
If you are interested in
purchasing this finely detailed woodcut from the German Renaissance, please
contact me (oz_jim@printsandprinciples.com) and I will send you a PayPal
invoice to make the payment easy.
This print has been sold
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