Anne Claude
Philippe de Tubières, Comte de Caylus
(aka Caylus; Anne Claude de Caylus; Anne Claude de Pestels; Anne Claude
Philippe de Thubiéres) (1692–1765)
“L'Empereur
Henry IV aux pieds du Pape Grégoire VII”, 1742, published in 1763, plate 90 from
the series, “Recueil d'estampes d'après les plus beaux tableaux et d'après les
plus beaux desseins qui sont en France” (Collection of prints from the most
beautiful paintings and from the most beautiful designs that are in France)
(aka “Recueil Crozat”; “Cabinet Crozat”), after a drawing now in the
Cabinet des Dessins, Louvre (https://collections.louvre.fr/en/ark:/53355/cl020101701
[inv. 4452, recto]) by Federico Zuccaro (aka
Federico Zuccari; Federigo Zuccaro; Federico Zucchero) (c1542–1609) that the
Curator of the BM advises is “a study for the decoration of the Sala Regia,
Palazzi Vaticani, Rome” (see BM inv. no. 1855,0609.170).
Etching and aquatint,
imitating the chiaroscuro woodcut by Nicolas Lesueur (aka Nicolas Le
Sueur) (1690–1764) (see https://gallica.bnf.fr/ark:/12148/btv1b6956097d.item)
printed in two shades of brown (Raw Sienna) ink on heavy wove paper trimmed
around the platemark and backed with a support sheet providing wide margins.
Size:
(sheet) 45.5 x 22.2 cm; (image borderline) 40.8 x 21 cm.
Lettered in
plate below the image borderline: (centre) “L'Empereur Henry IV. aux pieds du
Pape Gregoire VII./ Dessein de Frederic Zuccari, qui est dans le Cabinet de Mr.
Crozat/ Gravé à l’eau forte par Mr. le C… de C.., et en bois sous sa
conduit par Nicolas le Sueur.”
IFF 503
(Inventaire du Fonds Français: Bibliothèque Nationale, Département des
Estampes).
The British
Museum offers the following description of this print: “Emperor Henry VI
submitting to pope Gregory VII in Canossa; the Emperor, dressed as a penitent,
kneels before the pope, who sits on an elevated throne at left; many attendants
observe; on the right, a window opening onto a scene showing Gregory III being
threatened by soldiers; after a drawing by Federico Zuccaro. 1742” (https://www.britishmuseum.org/collection/object/P_1855-0609-170).
Condition: a
strong and well-printed impression. The sheet has no tears, holes, folds,
abrasions or significant stains and is trimmed around the platemark and laid
onto a support of archival (millennium quality) washi paper providing wide
margins.
I am selling
this large curiosity of a print employing etching and aquatint designed to look
like a chiaroscuro woodcut (i.e., a woodcut involving more than one tone of a
colour) for AU$282 in total (currently US$186.96/EUR171.74/GBP144.73 at the
time of posting this listing) including Express Mail (EMS) postage and handling
to anywhere in the world, but not (of course) any import duties/taxes imposed
by some countries. Note that payment is in Australian dollars (AU$282) as this
is my currency.
If you are
interested in purchasing this lifetime impression (based on the quality of line
showing minimal signs of wear to the printing plate) of a technically fascinating
print, please contact me (oz_jim@printsandprinciples.com) and I will send you a
PayPal invoice to make the payment easy.
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