Abel
Jamas (1862– fl.c.1941)
“Triumph of
Pan”, 1925, a pencil-signed artist’s proof, inscribed as the
first impression (of two), after Nicolas Poussin’s
(1594–1665) painting (1636) in the collection of the National Gallery in London
(inv. no. NG6477; see https://www.nationalgallery.org.uk/paintings/nicolas-poussin-the-triumph-of-pan).
Etching on thin
laid paper with wide margins, pencil-signed with the edition number (1 of 2) and
an inscribed note advising that the impression is from the 4th (?)
state, backed with a support sheet.
Size: (sheet) 53
x 50.5cm; (plate) 43 x 47.9cm; (image borderline) 34.5 x 39.8cm.
Inscribed in pencil
below the image borderline: (right) “4[?] e Etat 1/2/
[artist’s signature] Abel Jamas”.
Condition: a
strong and well-printed impression with generously wide margins laid onto a
support of archival (millennium quality) washi paper. Beyond minor marks and tears
in the margin, the sheet is in an excellent condition for its huge size with no
significant stains.
I am selling
this large and very beautiful etching after Poussin’s painting showing an unruly
Bacchanalian festival with gavotting dancers, trumpets blaring, tambourines jingling
and lots of nudity overseen by an armless statue of Pan, for AU$302 (currently
US$196.73/ EUR185.93/ GBP154.45 at the time of this listing) including Express
Mail (EMS) postage and handling to anywhere in the world, but not (of course)
any import duties/taxes imposed by some countries. Note that payment is in
Australian dollars (AU$302) as this is my currency.
If you are
interested in purchasing this breathtaking grand scale etching, please contact
me (oz_jim@printsandprinciples.com) and I will send you a PayPal invoice to
make the payment easy.
Note that I have previously listed another large etching by Abel Jamas that is currently still available: “Portrait of Chopin”, c.1938, after Delacroix (see https://www.printsandprinciples.com/2024/04/abel-jamas-portrait-of-chopin-c1938.html).
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